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	<title>Comments on: How to talk about Plot Shapes, or Don&#8217;t tell Creative writers they aren&#8217;t creative</title>
	<atom:link href="http://jeromestueart.com/2008/10/24/how-to-talk-about-plot-shapes-or-dont-tell-creative-writers-they-arent-creative/feed/" rel="self" type="application/rss+xml" />
	<link>http://jeromestueart.com/2008/10/24/how-to-talk-about-plot-shapes-or-dont-tell-creative-writers-they-arent-creative/</link>
	<description>Jerome Stueart, the Yukon, and science fiction in wild places</description>
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		<title>By: jstueart</title>
		<link>http://jeromestueart.com/2008/10/24/how-to-talk-about-plot-shapes-or-dont-tell-creative-writers-they-arent-creative/#comment-233</link>
		<dc:creator><![CDATA[jstueart]]></dc:creator>
		<pubDate>Fri, 24 Oct 2008 17:57:29 +0000</pubDate>
		<guid isPermaLink="false">http://jstueart.wordpress.com/?p=305#comment-233</guid>
		<description><![CDATA[Yep, I agree.  Don&#039;t give writers the structures till after they have a story.  I hope I don&#039;t do THAT again!]]></description>
		<content:encoded><![CDATA[<p>Yep, I agree.  Don&#8217;t give writers the structures till after they have a story.  I hope I don&#8217;t do THAT again!</p>
]]></content:encoded>
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		<title>By: David Wesley</title>
		<link>http://jeromestueart.com/2008/10/24/how-to-talk-about-plot-shapes-or-dont-tell-creative-writers-they-arent-creative/#comment-232</link>
		<dc:creator><![CDATA[David Wesley]]></dc:creator>
		<pubDate>Fri, 24 Oct 2008 15:41:09 +0000</pubDate>
		<guid isPermaLink="false">http://jstueart.wordpress.com/?p=305#comment-232</guid>
		<description><![CDATA[My favorite plot book is &quot;Story Structure Architect&quot; by Victoria Lynn Schmidt, Ph.D.  It&#039;s the most comprehensive breakdown of plot I&#039;ve ever seen.  She breaks stories down into:
- 5 dramatic throughlines
- 6 conflicts
- 11 master structures
- 55 dramatic situations

Theoretically, you can build a story from scratch by adding all the different elements in a cookie cutter approach, but I think that puts the creative process on its head.  Instead, I think you have to start with a story in mind, then when it seems to bog down and you don&#039;t know where it&#039;s going, you flip through the different possibilities to look for something you might have been missing.   The story should be supported by plot structure rather than the plot structure being fleshed out by the story (in my opinion).]]></description>
		<content:encoded><![CDATA[<p>My favorite plot book is &#8220;Story Structure Architect&#8221; by Victoria Lynn Schmidt, Ph.D.  It&#8217;s the most comprehensive breakdown of plot I&#8217;ve ever seen.  She breaks stories down into:<br />
- 5 dramatic throughlines<br />
- 6 conflicts<br />
- 11 master structures<br />
- 55 dramatic situations</p>
<p>Theoretically, you can build a story from scratch by adding all the different elements in a cookie cutter approach, but I think that puts the creative process on its head.  Instead, I think you have to start with a story in mind, then when it seems to bog down and you don&#8217;t know where it&#8217;s going, you flip through the different possibilities to look for something you might have been missing.   The story should be supported by plot structure rather than the plot structure being fleshed out by the story (in my opinion).</p>
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