Shine Anthology, and Dreaming of a Better World

In another post I talked about thinking positive about the future.  I linked to an anthology, SHINE, open to writers, that wants to make the world a better place in the future–a vision of how we WILL get it right eventually.  How  decisions we make technologically, politically, personally will solve–or begin to solve–global crises we face right now.  For years, scientists have been cast as Dr. Frankensteins in movies–playing God with forces we don’t understand–and rarely are they those who solve the problem.  If they do arch heroically at the end, it’s often to put back what went wrong, the Hamlets of a technological Denmark gone rotten.

When doing the radio series, Yukon 2058, I was sitting with Lil from Lil’s Diner and we were talking about Angel’s Nest, the future home for the homeless teens in our area, a cause Lil’s Diner has taken a personal investment in, literally.  For Halloween, the employees at the diner donated all wages made that day to Angel’s Nest and they kept the diner open most of the night to host a fund drive party.  We sat and talked about what teens need in this town, and I realized that science fiction could be used to describe what we want in the world–not just to warn people, not just a good story, but planting seeds in the minds of those who might be able to help us make those changes.  SF can be used to help people envision.

Who wants to walk into a post-apocalyptic future?  Why not place things in the future we need to see–and once seen, that we can create for real.  So, via radio, I created a youth center, the kind I would love to see the town create in the old Canadian Tire building.  And I put it on the air, and inside my vision for the future.

So, if you have ideas about what kinds of positive strides the world could make in the future–ways of solving crises in the world– allow me to suggest some positive outlets for you, outlets where your vision could inspire the vision of others who can make it happen:

1)  CBC North is going to want to interview you for your vision of the Yukon–a place that will be much changed in the next 50 years.  Imagine the future, and then talk about it on the radio.

2)  SHINE anthology, edited by Jetse de Vries, is open to writers this next spring who want to write optimistic science fiction.  This doesn’t mean that utopia comes without dramatic tension or story, only that it includes a positive vision of the world of the future.  If you want to write up your idea as story, read these guidelines.  This is going to be a great opportunity for writers and thinkers, since anthologies, collecting these positive views of science, will likely have a great distribution and put you in pages populated by well-known, world-class thinktankers/writers.  (If only there could be a weekend to gather engineers, scientists and science fiction writers to pool ideas…)

3) the 24hr Playwriting competition, held here in Whitehorse by Nakai Theatre in April, might be another place to launch a positive future in the Yukon, as local plays are funded, produced and showcased through the Homegrown Theatre Festival in the Yukon, in order to get them ready for possible Canadian distribution.

4) Write directly to the Governmental groups that might help implement your idea: help them see what impact your idea–all consequences considered–might have on the Yukon.  Write for funding to research it through the Northern Research Institute

5)  Don’t forget other Canadian science fiction magazines: On Spec needs you!  And loves you.  And wants to promote Canadian voices.

I think if a people down south, my fellow Americans, can be inspired to change by electing Barack Obama as President, then anything is possible.  I think we are being called on to help make that change ourselves, first by envisioning and then by doing.  I think science fiction writers inspire change.

Else why would the first American space shuttle be named Enterprise

Egalité at the World Fantasy Convention, a report

img_7941I have returned from Calgary where I attended the World Fantasy Convention, a yearly gathering of editors, publishers, writers of Fantasy literature. There were three of us from Whitehorse–Marcelle Dubé, Claire Eamer and me–forming a Contingency.

The convention for me was divided into four parts: the seminars, the networking, the readings and the dealer’s room.

The Seminars: The theme was Mystery in Fantasy Literature, with some seminars on how to put mystery elements into your fantasy fiction, or the best Fantasy novels of the last 20 years, etc. You can go and hear editors and publishers and writers speak about their writing strategies and their interests. Important was putting names and faces together in the editing and publishing world and getting an idea of what each editor might enjoy seeing in fantasy fiction, and how they might be to work with as editors and publishers. I also learned a lot about which authors were considered the best in the field, and how to catch up on authors I’d missed out on.

Networking: This is actually a lot of fun. Catching people for dinner, or talking with them in the convention suites after programming/seminars were over. You meet a lot of people you could never meet otherwise and this is for them–and you–to put names and faces together. I was able to hand out a few cards (ones that I’d made on my computer an hour before I left on the Air North plane), and meet a lot of people one on one who are exciting, interesting folks–fellow writers, and the aforementioned editors and publishers. You’d be surprised to learn, I’m sure, that I’m not a good schmoozer. I couldn’t last the many hours it requires. However, as the picture implies, we all got nametags and were encouraged to sit in the autograph room as equals–this is actually a very nice egalitarian maneuver. We’ve been hearing and talking to editors and publishers as they are movers, shakers, and opinion-makers–and then for two hours, we are all on the same level together. Nope, no one came up to have me sign anything. But it was nice–to feel like a writer, someone who COULD give autographs at any moment.

The readings: though I didn’t go to very many, I did enjoy the ones I went to. Mostly they were friends that I knew. Here you can hear about books you haven’t bought yet.

The dealer’s room: where books are sold. Ah, the joy of the dealer’s room. Lots of books. And I got to do an interview with Edge Books Website for a podcast. I even signed some books for them: Tesseracts Nine and Eleven. Edge Books and Hades Publications are fantastic people.

I’d like to do it again. But one of the biggest lessons I learned there was that you could be a well-known name despite publishing very much. If you send stuff out to be published, and are rejected, your name will still be more recognizable than if you had never submitted at all.

So, courage–even without publication–is rewarded with recognition. And recognition in a small cadre of people is worth its weight in gold.

(picture: l-r, Catherine Cheek, Derek Kunsken, me, Peter Atwood—Catherine and Peter were fellow Clarionites–and thanks to Liza Trombi of LOCUS for the pic!  Thanks, Liza!)