Diversify, or How to Get the Most from Your Writing Degree

APTOPIX Turkey DolphinariumI confessed to a fellow writer that I had nine jobs in the Yukon, and that it was still sometimes make or break at the beginning of each month.  I was living by cobbling together jobs, which isn’t necessarily bad. In my case, I might not get to do everything I want at first–but learning to diversify has helped me survive.

I’d always thought I would rather live by the phrase: I’m a ________ who also writes. Fill in the blank with astronaut, beekeeper, mechanic, sumo wrestler, whatever you like. This is where my money would come from–then I would carve out writing time. Or, another option was: I married a _______ and I write. Fill in the blank with astronaut, beekeeper, fire swallower, accountant, President, Estate owner, whatever you want. [On second thought, hold off on the fire swallower] Either way, money would come into my house steadily. I like paying my bills, really. 😀 But these options come with their own heartaches, as I’ve been reminded of by a good friend who struggles with the full time job and not having time for art. I would say it’s a choice–this art or security–but I want to believe we don’t have to make that choice.

Some say “the lean and hungry look” is a good one for writers–makes you write more, and more brilliantly. But lack of security makes me frightened, cranky, and depressed, and angry at myself for not planning better, or getting marketable skills. My brain panics and I make endless lists on how I can make money—that’s not what I would call “creative writing”–it is Fear.  You don’t get paid from writing for months, so it’s never fast money. So, the answer I came up with –if I couldn’t get a big job that paid well–was to diversify.

Here’s my version of diversification to make ends meet: I teach one college class on novel writing, teach cartooning in the schools through Yukon Arts Edventures, teach an after school program for teens through the City of Whitehorse on writing science fiction and fantasy, write articles for Yukon: North of Ordinary, sometimes for What’s Up Yukon, work as an on-call interpreter for the Beringia Centre, am doing an Oral History project for a friend, perform vaudeville in the summer, write radio series for CBC. In the works: I have auditioned for some short movies as an actor, may be working on an ad campaign, am auditioning to sing in a Big Band and am trying to teach online, and teach through teleconference, in the summer.

Even with all these small jobs, I’m still doing what I love:

Of my  jobs, most of them can be connected to narrative in some way. I write articles on topics that both interest me, and might be used for later stories; I teach about writing or literature; the radio series lets me both write, perform and produce; cartooning in the schools has expanded my understanding of narrative. The performance jobs–including Beringia as an interpreter–are still about words, communication, entertainment, teaching. So, in reality, I haven’t strayed too far from my writing, or my degrees.

And–working outside my field has improved my writing by showing me different styles of writing: a more informative style (articles and Beringia) and comedic (vaudeville and comic strip), for example–and by giving me new subjects to write about–like mammoths and scimitar cats and Yukon history and fifth graders. Also, it’s given me several editors–newspaper, magazine, online editors.

My friend, Arlin McFarlane, is a professional at diversifying. Actor, producer, director, B & B owner, acting teacher, English teacher, creator of Burning Away the Winter Blues and other creative events in Whitehorse, Arlin calls it repackaging yourself for every new job–the money I make she calls “ribbons of income.” It’s what we do to survive as Creators. I’d say that diversifying is more than a survival technique, it is a way of expanding your understanding of your skills. What CAN you do? A host of things. They may not pay much at first, but they keep you creating.

Write anyway:

I had to give writing its own place in my job line up too.  If I didn’t, then job number 10 or 11 could sweep away the writing.  Until you find a sustaining job –that also gives you time and support to create–diversify to keep your name out there, your skills fresh, and your money coming in.   If a Walrus can play a saxophone to make a living, you can discover new ways to make your bucket of fish too.

PS. While I was writing this, the phone company called to remind me my bill is overdue. Sigh. Ars longa, bills brevis.

Stardust Shines: Character Motivation-ism

stardustSometimes it’s simply about giving everyone something to want, something realistic, and then setting them on their paths.  Stardust, the Neil Gaiman-inspired movie, does a great job of giving characters real desires and then setting them at odds with each other.

If you are writing science fiction or fantasy, even well-developed characters function at half-power until they have a goal.  Once they have a goal–man, they zip!  This is one of my favorite things to watch, as objectively as I can, that moment in my heart and interest level when the character finds a goal.  It has to be something they want, not just an interesting goal that should be “universally interesting.”  They have to want it enough to maneuver through a tangly set of obstacles.

Stardust Plot summary: To woo Victoria, poor boy Tristan promises to get her the falling star they just saw.  When he goes to get the star, he discovers Yvaine, a woman, is the star that fell.  Three witches want to eat Yvaine’s heart to make them younger, and seven scheming princes want the throne–which can only be had if they can find the necklace, which happens to be with Yvaine.  So people want Yvaine for what she can give them: eternal life, long lasting beauty, a kingdom.  Tristan wants her to impress Victoria.

Really clear goals: Tristan wants to win the heart of Victoria. When he meets up with Yvaine (Claire Danes) he doesn’t suddenly switch goals.  He could have life immortal or even Claire Danes!  But no, he wants Victoria.  He promised to have her this star and that’s what he’ll do.  Yvaine won’t budge until she sees he has a Babylon Candle which could actually get her home—so she goes with Tristan on his way to Victoria because he promises to send her back home when he gets done showing off in front of his girl.

The pirates collect lightning, the witches want beauty, the princes want the kingdom and to kill each other.  When all their plots become melded into a single objective–from different angles–it revs up into high gear.

I enjoyed this movie.  I think it’s well designed.  The narrative is strong and is propelled by the desire lines of each character.  I love how all of them use similar means to get them to where they need to go: runes.  Not a map, not a prophecy, but unpredictable magic that you have to keep checking over and over again.

It helps that the scenery–meaning the place, the occupations, the “world- building” is interesting–but without desire, it is just scenery.  With desire, it becomes charming.  There are few memorable lines in the movie–this isn’t “Princess Bride”, though I believe the plots are just as good.  The comedy isn’t as strong–too many characters for you to memorize everything.  And this is its only fault, I think, that the characters may be well-motivated, extremely well-motivated, but rarely rise above stereotype–even with all the “cool stuff” around them.  They are stock characters with bling.

Tristan IS his want.  Other than his desire, he is a bit of a goof whose entire existence seems to be winning the heart of Victoria.  No mention of what his life was like before, or his relationship with his dad and having no mom.  Yvaine has a bit more character–she has been spending her life as a star watching us (we’re so entertaining to celestial beings) so she’s always wanted to have an adventure and fall in love.  But really we can’t imagine her life as a star.  Which is why she is so much more interesting on Earth (she’s got motivation and means).   The witches seem obsessive—and we wonder how they spent their time before the star fell.  Oh, you know, the last three hundred years….  The princes are fiendish, but they have no personalities outside of good/bad/opportunistic.  They want the kingdom–they only exist to push their plotline.

So, after all is said and done: character motivation, aka desire, is essential to move characters along, but without more character work–as in WHO these people are that make them different than their archetypal roles–desire becomes plot without managing to deepen character.  I imagine that Gaiman packed more into the novel, but on screen we may only have time for one choice: character desire vs. character development.

Ebert gave this 2  1/2 stars out of 4, saying that plotlines were convoluted and that the movie never rose to the level of “Princess Bride.”  I didn’t think the plotlines were convoluted, but only that the plotlines were so well charted that it left little room for characters to grow beyond the plot necessities–but that doesn’t mean it doesn’t satisfy like the best story–especially the fairytale kind of story it represents.   I would still give it 3 out of 4 stars—it’s a great movie.  Really.  And not making it to Princess Bride Status is not necessarily a fault.  It’s a clever romp through a well-developed world.  All the pieces are in place and they interact with each other well, and you can learn a lot about the power of character motivation, and the power of character too.  Even when character shines less than character desires.

Star Wars Barbershop: Moosebutter and Corey Vidal

Corey Vidal and Moosebutter were nominated for the People’s Choice Awards for Vidal’s video rendition of Moosebutter’s song. Moosebutter is an acapella group, and they took several of John William’s soundtrack themes and wrote Star Wars lyrics to them. What’s ironic, now, is that whenever I hear John Williams’ Indiana Jones theme, I think of Star Wars—“Fly the Fal-CON through an as-ter-oid!” and when I hear Jaws, I think, “Wooooo-KIE, Woooooo-KIE; Some-one get this walk-ing car-pet.” Fitting, perhaps, because John Williams is identified with Star Wars —and while we may remember all these great themes, I wonder if when we hear them, we say: Williams also wrote the Star Wars theme. Notice that Moosebutter doesn’t sing anything from Star Wars but you feel as if you’ve heard that theme too. An Aural Illusion, or an Aural Allusion. Hmmm.

Enjoy.

Corey got a lot of flack for lipsynching to Moosebutter’s song—but if you look at Youtube right now, there are hundreds of imitators of Vidal’s video. Though scolded for being unoriginal, Vidal brought a new form–the Brady Bunch Look Four Part Harmony Video. He deserves credit for the form, as well as the idea to take Moosebutter’s song and put it in a popular venue like Youtube. In many ways, Vidal has bumped up the recognition of Moosebutter’s songs–like a mass market ad campaign. In the same way a commercial that borrows a song from an obscure group can suddenly bring attention to that group, Corey brought attention to Moosebutter. The video received more than 3 million hits. Moosebutter thought it was great, and rumor has it, they have a contract with Warner Music–which may be why the video on this blog entry might not work. Moosebutter gave Corey their blessing to do the video–and Corey gave his blessing to the Video Response that Moosebutter made. Corey even put it on his Youtube showcase so it would get as many hits.  Vidal, in the end, was showcasing his video talents–what he could do with an interesting song. This is the heart, by the way, of Creative Commons License—and lookie there, the attention got people a big contract!  Woo-hoo!  (Except there’s bound to be more control on HOW things are distributed, shown, played with….)

Anyway, reception of creativity is often just as interesting as the creativity itself.

The Star Trek Barbershop Quartet: Hi-Fidelity

How fun is this?  Barbershop and Kirk and Spock.  The second one–they speak about beaming down to a Barbershop Quartet contest…. enjoy.

And then another one.  Hi-Fidelity is the group and they are participating in a Barbershop Quartet contest.

Grant and Lyall, if you were looking for a way to adapt the show towards those baby boomers….I’m wondering if we could alter the barbershop scene…..

Just kidding.  😉  Live Long and Prosper.

Fantasy Magazine Accepts My Story

Solar Ikon's Cheers on Flickr, creative commons license“Moon Over Tokyo Through Leaves in the Fall” found a home at Fantasy magazine, an online fantasy webzine. It’s a great webzine and I know it will be a good home for the story. They really treat their contributors well. They spotlight authors with interviews, and the website layout is very professional. It’s a solid venue for all types of fantasy and magic realism stories.

The story I submitted had to do with wine-making, hence the picture. This is from Solar Ikon’s Flickr collection. The story won’t be on the website for awhile, but it’s nice to have the acceptance. May the new year bring us all ….Acceptance. Cheers!

_____________

For guidelines to Fantasy magazine

Online SF Market: Futurismic–for near future stories

Another great market for Science Fiction writers, especially those dabbling in near future fiction.  Check out the full Guidelines here.  Here’s an excerpt of what they’re looking for.

Futurismic seeks contemporary, near future science fiction for online publication. We’re looking for innovative, exciting stories that use the tools of speculative fiction to examine contemporary issues and take a look at what’s just around the corner.

Whether by established professionals or promising newcomers, we would like to see the very best in today’s SF, with an emphasis on work that truly connects with and illuminates the fast-paced, fascinating times we live in.

Stories should be compelling and well written, with a strong emphasis on characters confronting or embracing imminent cultural, social, technological, and scientific changes.

PLEASE NOTE: Near-future, Earth-based science fiction is our primary focus!

WHAT WE’RE LOOKING FOR:

  • Mundane SF
  • Post-cyberpunk SF
  • Satirical/gonzo futurism
  • Realistic near future hard SF

WHAT WE’RE NOT LOOKING FOR:

  • Fantasy
  • Horror
  • Space opera
  • Off-world SF
  • Distant futures
  • Aliens
  • Time Travel
  • Alternate History

Length: up to 15,000 words!  and there’s a webform to submit with.  No nasty stamps and paper problems.  $200 flat rate for stories, 2-5 weeks to respond.

Click on the Guidelines link and read the rest if you are interested.  Good luck!

Why Yukoners Secretly Love it When It Hits -40

Happy Nonetheless-- by Amanda GrahamLiving in the Yukon is a unique experience. We are a place of extremes. The long winter night, no stars in the summer, the snow layers caked on the downtown sidewalks, the wilderness at your back door. We are proud of our bison and moose encounters, spotting red foxes and coyotes drifting down lamplit streets, and, yes, we are thrilled to see temperatures drop below -35C.

Oh, you won’t hear it in our driveways. We ain’t “whistlin’ a happy tune” as we’re scraping our windshields; and the only joy about turning on our cars a half hour before we need to go anywhere is the glee from punching Command Start from your kitchen window (if you can afford it). And the wrong gloves can cost you digits if you ain’t careful. (Thank You, Katrina Brogden, for your timely save this afternoon, and for the new mitts!) Our cars act like we woke them up in the middle of a long nap–they are cranky and moan down the street and the ride is bumpy and aching. And there’s nothing like not being able to reach your keys in your pocket, forcing you to remove your glove and do the mental countdown of how long exposed flesh can last…and if you DROP the keys…well, metal keys at 40 below burn your fingers. And if there’s a wind—well, they don’t call it bitter for nothing. Oddly, it doesn’t seem to turn Yukoners bitter.

That’s because we enjoy living here for the stories we can tell. If we don’t experience -40 once every winter, Yukoners will want their money back. Oh, we already want our money back for the Celestial reneging of the past three summers, and that’s part of the same issue. We are both owed our amazing Summers and our -40. If we don’t get them, the Yukon ceases to be that place of extremes. Without the summers, the place is just damn cold and wet. Without -40, we might as well be in Winnipeg, or anywhere in Alberta, or Ontario. We get special honors for enduring the cold–and we damn well know it. We don’t want the dudes in Alberta to be able to say that THEY have endured the worst, right? We want Vancouver-ites to live in awe of our ability to withstand nature’s onslaught with a hearty laugh. We need the scientific weather proof to back up our mythos.

So, perhaps our worst fear involving global warming is that we might be turned into Wisconsin. Cold, but not that cold.

So, today, Yukoners are happy to know that for one more Winter, we had our litmus test of Strength, the Charlie Horse on the leg of our Winter, and I’m sure we phoned every southern relative and friend we had to let them know that we earned our frostbitten stripes, every last one of them. Let there never be a year that our children will only be able to say that they remember when it got down all the way to -20. We won’t be able to look them in the eye if we can’t bring them the very depths of Winter. They are Yukoners, truly, at -40; at -20, they are just Canadians who live way too far away from their relatives.

This is why we smile inside every time the mercury falls down. Really, -40 is our Blue Badge of Courage.

___________________________