17. Snake Guardian (Autumn Woods)

“Welcome, Champion! I am the Guardian of the Autumn Woods, the very voice of the woods you live in.

I am made of trees and meadows, streams and rockfaces, the dirt and the mushrooms and the flowers and the bramble. I am the smallest creatures and the largest. The birds, the burrowers, the scurriers, the climbers, the insects, the fish, and all living things in the Autumn Woods.

I have a voice.

And I have many bodies.

But when I am in peril, I also need Champions.

We are aware of that which doesn’t belong in the woods, the invading orcs who come and who have already killed many of my residents to eat them, to take from them their lives and their joys. If they would settle and live in harmony, I would accept them as family, and they too would become the Autumn Woods. But they are not here to be in harmony. Their presence threatens everyone. They will destroy the Autumn Woods and all who live here.

Hundreds of years ago, a great knight and wizard hid a sacred short sword where no one could find it except the brave of heart.

He hid it in dreams.

If you can see the Short Sword of Goddard the Valiant, you can have it. But you must believe with all your heart that you can take this sword from the land of dreams into the land of the living. You must promise only to wield this sword in protection of the Autumn Woods or against those that threaten the life of the Woods wherever they may be. If you successfully pull this sword from the dream, it will give you what you need in your hour of need each time. You need only recite this prayer:

‘Sword of Goddard, hear my prayer,
Foes Surround Us Everywhere,
Know their weakness, their defeat,
And give me now what I most need.’

The sword knows the weaknesses of its enemies and grants the wielder abilities far beyond their own to defeat the threat.

It is a temporary spell, and once the threat is defeated, the Champion will no longer be empowered.

You must not use the sword for greed or for revenge or for personal gain other than the protection of home and friends and the Autumn Wood, or face a deadly curse.

If you can make this solemn promise, reach out now, even while you sleep, and grasp the Sword of Goddard. Protect our sacred Grove, our beloved Community, our very Life! Bring this Sword hidden in dreams into the Waking World.”

Go to Chapter 18



“Protect the Autumn Woods!” is an illustrated story by Jerome Stueart in 33 short flash fiction chapters. The story features D&D-inspired magic-using forest animals who fight to protect their homes. This story was at first a response to a prompt list created by Jenn Reese and Deva Fagan for an October Art Challenge in 2021. You can now read all 33 parts of the story, “Protect the Autumn Woods” with the search term, #AutumnWoods. “Protect the Autumn Woods!” Art Show at the Dayton Society of Artists (48 High Street, Dayton, OH) from November 1 — December 15 2024.

“Protect the Autumn Woods!” is adjacent to a larger show of amazing Dayton Artists, “Small, but Mighty.” Come see all of the art, any weekend, Friday 12-5, Saturday 12-5 to experience the art yourself.

10. Conjure Deer (Autumn Woods)

Xini told them that a fire illusion to push the orcs out of the Autumn Woods was not enough. She would also create something they wanted, something to follow. “Fear may not be enough to motivate them, but coupled with desire, you give their minds two incentives to follow our path. Three– if you count the barriers the beaver crafters have already built. The deer will show them how to escape the fire as all creatures know the way out, and also be the target they want to catch.” She made the deer glow a soft purple so that the orcs wouldn’t miss it. There it stood on the edge of the fire, waiting for the moment the orcs saw it. First the fire, now a glowing deer! It runs as they shoot arrows after it, and pursue it. But while the deer moves them down the predetermined path out of the woods, the orcs don’t follow long enough. For a moment, they pause, hold out their hands, stare at the deer, the flame, thinking… thinking… about why this feels different.

And thirty orcs stop right there and they don’t move, even when the flames intensify.

Go to Chapter 11


“Protect the Autumn Woods!” is an illustrated story by Jerome Stueart in 33 short flash fiction chapters. The story features D&D-inspired magic-using forest animals who fight to protect their homes. This story was at first a response to a prompt list created by Jenn Reese and Deva Fagan for an October Art Challenge in 2021. You can now read all 33 parts of the story, “Protect the Autumn Woods” with the search term, #AutumnWoods. “Protect the Autumn Woods!” Art Show at the Dayton Society of Artists (48 High Street, Dayton, OH) from November 1 — December 15 2024.

“Protect the Autumn Woods!” is adjacent to a larger show of amazing Dayton Artists, “Small, but Mighty.” Come see all of the art, any weekend, Friday 12-5, Saturday 12-5 to experience the art yourself.

7. Salamander Warlock (Autumn Woods)

Xini can use her illusionist spells to make the orcs believe the woods are on fire–driving them out. But she must use the Cursed Crown to do it. She’d given up that warlock life years ago, though still bound by the curses she accepted, but her home and the homes of so many others are at stake. The other animals beg her not to– because each use of the crown’s magic draws her closer to a doomed afterlife in the Eternal Desert. “It is just a step closer,” she says. But what good is a favored afterlife if you doom those you love to death here? The curse of the crown is one’s own altruism to use it. If you could truly give up the power to save others, you might save your own soul. Xini doesn’t find that kind of soul, though, or that life, worth saving. She knows this is her moment to show her love to her community, and she awakens the cursed crown, watching it spin like swords above her.

Go to Chapter 8


“Protect the Autumn Woods!” is an illustrated story by Jerome Stueart in 33 short flash fiction chapters. The story features D&D-inspired magic-using forest animals who fight to protect their homes. This story was at first a response to a prompt list created by Jenn Reese and Deva Fagan for an October Art Challenge in 2021. You can now read all 33 parts of the story, “Protect the Autumn Woods” with the search term, #AutumnWoods. “Protect the Autumn Woods!” Art Show at the Dayton Society of Artists (48 High Street, Dayton, OH) from November 1 — December 15 2024.

“Protect the Autumn Woods!” is adjacent to a larger show of amazing Dayton Artists, “Small, but Mighty.” Come see all of the art, any weekend, Friday 12-5, Saturday 12-5 to experience the art yourself.

6. Badger Mastermind (Autumn Woods)

Gressler reminded them that Orcs were not dumb, but they had tendencies that could be taken advantage of.

Orcs, because of their size, and the size of their people in relation to every other creature, tended to believe that size and strength were all that mattered. Because they got what they wanted with size and strength.

So they to believe that they could conquer and overcome any group, no matter how many, because of their size, strength and stamina. Small things posed no threat to them, ever.

“How is that helping us?” The Beaver brothers asked. “We are small things.”

Gressler pointed out that along with their belief that they could win any strategy that favored strength and size, they tended to discount cleverness, trickery, intelligence. The Bix were taken by surprise, he reminded them. Bix are clever, and if they had known–as we know–that the orcs are coming, they could have prepared.

Other things to know about orcs: They had good eyes and ears. But that lead them to depend on them too much. They tended to trust what they saw and heard.

“Also, when in armies, orcs are often overworked by their commanders. It stems from the belief that orcs are strong and strength and stamina are the very nature of an orc. So they don’t give them breaks. This means they can be more exhausted than they will ever mention,” Gressler said.

He turned to a map of the Autumn Woods, a large detailed map where he had already marked where they were, according to Craek, the paths they were taking–and the ones they were avoiding.

“I believe,” Gressler said, “we can reroute them using natural barriers, distractions, and detours to move them quickly out of the woods.” He gave them all marking tools. “Now, let’s come to the map and see what we can do to guide them away.”

They would not be taken by surprise. They had the advantage. They just all had to come together and do it.

Go to Chapter 7


“Protect the Autumn Woods!” is an illustrated story by Jerome Stueart in 33 short flash fiction chapters. The story features D&D-inspired magic-using forest animals who fight to protect their homes. This story was at first a response to a prompt list created by Jenn Reese and Deva Fagan for an October Art Challenge in 2021. You can now read all 33 parts of the story, “Protect the Autumn Woods” with the search term, #AutumnWoods. “Protect the Autumn Woods!” Art Show at the Dayton Society of Artists (48 High Street, Dayton, OH) from November 1 — December 15 2024.

“Protect the Autumn Woods!” is adjacent to a larger show of amazing Dayton Artists, “Small, but Mighty.” Come see all of the art, any weekend, Friday 12-5, Saturday 12-5 to experience the art yourself.

5. Moth Mount (Autumn Woods)

When Craek returned, and told them what he’d seen, everyone suddenly remembered the bix village massacre in Summer Woods many years ago.

“They were caught by surprise!”

A thriving group of little people of the forest, the bix were an important part of trade between the Summer Woods and outside villages of humans. You could find healing ointments, teas, remedies of all kinds, at a Bix Market. They could enchant acorns to guide you, put a protective leaf in a locket for you. The Bix were hard-working magical people living in harmony with the humans around them. The Summer Woods, always a delight to travel through, had been such a helpful place for humans and animals alike, partially because the Bix were there offering everyone the best that herbs and magic could devise. They enhanced the kingdoms around them.

This is how they were noticed by the Orcs. Everyone had heard a version of the story of the Maebon Massacre, or Bix Slaughter, or some other title. It was the kind of story that made good people think twice about being too kind, too open, too vulnerable. The bix didn’t make swords or weapons. They made medicines and remedies. Sometimes the story was told in a way to suggest, “See what happens when you get known for being nice.”

They were all killed and eaten. They say the orcs put their teas and medicines around what was left of their corpses. As if to say, heal thyself.

It reminded them of the horror that others could do. But it was so unthinkable that it became unthinkable— to think about it too much made people anxious and scared and paranoid. Orcs could turn up anywhere! In some ways, the story just couldn’t settle in a mind that believed that good things happen to good folks. Some variants of the story had to give the Bix some fault—outside of being noticed by Orcs. Others just said it was myth.

Nevertheless, the story drove them now into a frenzy. How do they protect themselves from this passing group of orcs? Why were they here in their woods? What did they want? Would the same fate await them as the bix of Summer Wood?

No.

They wouldn’t believe it.

They would fight and they would be clever and they would survive.


“Protect the Autumn Woods!” is an illustrated story by Jerome Stueart in 33 short flash fiction chapters. The story features D&D-inspired magic-using forest animals, all retired from dazzling adventurous lives, ready for peace and quiet in the midst of a spellbound forest, a woods with a very long autumn. When a mysterious troop of orcs, armed for battle, march into their woods, the heroes will do anything they can to keep the orcs away from their loved ones. Sometimes, though, the wards and tricks won’t work. Sometimes, you have to fight harder just to keep what you have.

This story was at first a response to a prompt list created by Jenn Reese and Deva Fagan for an October Art Challenge in 2021. Anyone who wanted to play along could draw pictures according to the prompts and post them on social media with the #autumnwoods hashtag for 31 days. I drew pictures and posted them. But I added D&D classes, and then a story happened. You can now read all 33 parts of the story, “Protect the Autumn Woods” with the search term, #AutumnWoods, or hear them all narrated to you on Substack as you go through the “Protect the Autumn Woods!” Art Show happening at the Dayton Society of Artists (48 High Street, Dayton, OH) from November 1 — December 15 2024.

A reception and opening happens this Friday, November 1st. “Protect the Autumn Woods!” is adjacent to a larger show of amazing Dayton Artists, “Small, but Mighty.” Come see all of the art, Friday, November 1st, or come back any weekend, Friday 12-5, Saturday 12-5 to experience the art yourself.

4. Beaver Crafters (Autumn Woods)

Kelsky and Big Slap had been the kind of brothers that didn’t need to say very much to each other, but they seemed to understand and communicate effectively anyway. A gesture, a nod, something anyone else would dismiss, was enough for them to cooperate on opposite sides of a river or stream.

Mama Beaver said they were born with the same mind. They’d laugh at that.

“I have half a mind to argue with you,” Kelsky would tell her.

“And I have the other half,” Big Slap would say. “But arguing with you is harder than Oak. I’m gonna go fell a softer tree.”

When they heard the call from Brother Fenzel, they had the same idea at the same time. Reroute the orcs. It was a simple as that. Everyone liked an easy path. You just got to make all the other paths too much trouble. It was like building a dam and guiding water.

And guiding a river, redirecting a stream, wasn’t that different from redirecting a troop of orcs, was it? They just needed to clear any path they wanted the orcs to take; and fill the rest with barriers, fallen trees, branches, things that wouldn’t look purposefully placed, but naturally fallen.

They needed the woods to be a suggestion of pathways.

Their suggestion.

They did not have time to fell as many trees as they needed. They would have to use what they already had. And what they had were their homes.

Kelsky grabbed both sides of a big sycamore atop his recent den addition and pulled, disturbing several other branches and logs.

“No,” his brother said, slapping the ground with his tail. “You need that.”

His brother smiled, his two teeth bright, “I’ll be getting it back, don’t worry, brother. It’s a temporary thing.”

“Well, we will need more logs than that.” He began dismantling the roof over his kitchen.

His brother huffed loudly, “There is plenty in this den. I overmade it anyway. You just keep your kitchen and we’ll use my den.”

“Won’t be enough, and you know it.” Big Slap kept pulling out logs from his kitchen.

Conversation was over. They both knew the other would not relent or change their mind. They were both right. It would take several well placed logs and branches to block the paths. Fitting that they would use their homes to save their homes.

Without a word, they spent the afternoon, pulling and dragging and scattering their home logs and branches into an effective set of barriers, placing them as if the wind had merely knocked them over and an open path never existed.

Go to Chapter 5


“Protect the Autumn Woods!” is an illustrated story by Jerome Stueart in 33 short flash fiction chapters. The story features D&D-inspired magic-using forest animals who fight to protect their homes. This story was at first a response to a prompt list created by Jenn Reese and Deva Fagan for an October Art Challenge in 2021. You can now read all 33 parts of the story, “Protect the Autumn Woods” with the search term, #AutumnWoods. “Protect the Autumn Woods!” Art Show at the Dayton Society of Artists (48 High Street, Dayton, OH) from November 1 — December 15 2024.

“Protect the Autumn Woods!” is adjacent to a larger show of amazing Dayton Artists, “Small, but Mighty.” Come see all of the art, any weekend, Friday 12-5, Saturday 12-5 to experience the art yourself.


3. Blue Jay Spy (Autumn Woods)

Craek collected rings. Gold inlay, brass, silver, it didn’t matter. If it shined in the sunlight, and was left out on a balcony, or next to a window, he would be pulled in.  He couldn’t resist those rings.  He had his ring collection stored high in an oak tree.

As a spy for Princess Kaera of Brightsun, Craek had helped stop the War of the Valley before it started by relaying the battle plans of the other two sides, had blabbed on the behaviors of three awful suitors seeking the hand of the Princess, and, less than 5 hours after the royal kidnapping, Craek found Little Prince Nessian.

He was given the highest honor of the King after that, as well as a small treasure of shiny, sparkling rings—but, of course, then the entire Kingdom not only knew of his bravery, but of his spying

So, that job was over.     

When he was ready, after training the next group of spies, he took his leave and retired to his nest of rings in the Autumn Woods. 

He was content to bring occasional news of the Outside Word to the group.  More and more, though, he stayed at home, mesmerized by his treasures.

“Promise me, Sir Craek of the BlabBlab, you won’t forget us as you travel from kingdom to kingdom.” 

He could not. Their love was the shiniest thing he’d ever had.

Tonight, though, Craek couldn’t forget the Princess.  Perched over an encampment of orcs, he saw the seven Brightson Ruby Rings around the neck of one of the orc soldiers.

They’d lit a fire, massacred several small rabbits from a local warren.  Now, the soldiers chewed without speaking, pulling the meat away from the spit with their tusks, . 

Continue reading

2. Weasel Cleric (Autumn Woods)

Brother Fenzel struggled in this wind to light the candles of the Passive Hours, the hours in the middle of the night when your fate was in the hands of the More Powerful.  The candles were a symbol of light, clarity, even in the darkness.  However, tonight the wind snuck through the branches and stones of the little shrine, making it harder for him to see that clarity, that light.  He had trusted his life to the care of Mundimila the Compassionate.  She protected the wanderer, the castaway, the hidden, the vulnerable, and so he honored her for her help in these vulnerable hours.  He was the attendant and cleric of her forest shrine here in the Autumn Woods.  But in this steady night breeze, even inside the shrine, the candles would not stay lit. His old hands trembled to light them again.

He’d been that kind of wanderer for many years, on lonely paths, mapping the world with his feet, pulled by wanderlust.  But then, one night, he’d heard Her singing and followed the sound.  She led him to the Church of the Starlit Branches, promised him something bigger than just his vagabond traveling.  Folks of the forest gave him food and shelter and friendship.  Many of them were displaced by war—smaller creatures, humans, Silvi, the Reconstructed, the Clodders who were just trying to settle again, anywhere.  He stayed, became a cleric, learned healing magic.  He found he wanted to help people. He served them for years and thought he always would.  But you don’t always get to stay where you want.

Continue reading

1. Black Cat General (Autumn Woods)

The Autumn Woods were peaceful.  But that didn’t stop retired General Astrati from his day-long perimeter walks.  Despite the widespread opinion that there was no need for such a constant search for danger and enemies, Astrati did it anyway.  He claimed it was good for his knees.  This allowed everyone to believe that he secretly took the walks to be alone.   But how could a soldier so easily retire after being vigilant most of his life?  You cannot turn it off.  It only made sense to him to offer his best skills to the group:  his watchfulness, his paranoia, his darksight, and his wariness.  Honestly, he was being a realist. Peace has to be protected.  Boundaries must be enforced.  They didn’t understand vigilance.

Astrati, they said, you get to be at peace too.

They’d all served their times, done their duties, been the advisors to Kings, been the mentors to magicians, the wise consultants for quests, the champions—the Generals.

This was years ago. 

Now, they had each moved to the Autumn Woods to have lasting peace in their older years, far from the cities, far from the villages and towns, deep in the safety of a thicket of bushes and trees with old roots that twisted and tangled through the hollows. 

They were entitled to rest, weren’t they? Let the Woods ward the strangers away, let the scary stories spread.  How can we be at peace, when we look for danger? 

Continue reading

0. The Autumn Woods (Autumn Woods story starts here)

Welcome to my illustrated story, “Protect the Autumn Woods.” Here you will find all the illustrations and their corresponding short chapters. Most of the chapters are less than a thousand words.

Once you read a chapter, you can click on the link below, or the right arrow to go to the next chapter.

If you are viewing the paintings at the Dayton Society of Artists from November 1-December 15, you can just read along with the paintings on the wall. They should go in order.


Prologue

To outsiders, it seemed like fall came way too early to the Autumn Woods and stayed way too late.  The first trees to turn sang their first notes of autumn in spring. And the last of the trees’ colors stayed till the chill of winter, adding extra red and orange to the snow.  It was unnatural, some would say, for trees to linger through fall so long.  They could be right.  Leaves were almost always red and yellow and orange. Consensus decided the Autumn Woods were under a spell.  

Stories about the Autumn Woods, like the woods themselves, were a bit more colorful and lingered in the imagination longer than most stories. People said they were enchanted.  That their beauty was a lure.  That magicians and sorcerers lived in the woods, dangerous fighters and thieves and those who controlled the dead.

Others wondered if so many powerful people could live together peacefully. They’d quote the “Sole Witch Theory” of woodslore: that any woods purported to be dangerous or enchanted has only one powerful person at its center because, chances are, multiple powerful beings would not get along.

Though theories argued about who lived there, they agreed on one thing: that the paths through the Autumn Woods should only be used in emergencies, and that the magic there might be helpful and benign, but could turn against a nosy traveler. 

Best to leave these woods alone.  
              
In this way, the tales created a buffer between the Autumn Woods and the rest of the valleys, towns, and fortified cities that lay off in all directions.

Go through the Summer Woods if you want with its frequently-used, well-worn paths.

Take any of the paths that skirt around the Autumn Woods.

But unless you wanted to become one of the stories of the Autumn Woods, it would be best just to look, from a distance, at the bright yellow aspens, the boastful red and orange sugar maples, and see all the bursting, jovial trees and bushes as a curtain, holding a mystery from you, for your own good. 
              
Stay where you are now. On the edge of safety.


Go to Chapter 1


“Protect the Autumn Woods!” is an illustrated story by Jerome Stueart in 33 short flash fiction chapters. The story features D&D-inspired magic-using forest animals who fight to protect their homes. This story was at first a response to a prompt list created by Jenn Reese and Deva Fagan for an October Art Challenge in 2021. You can now read all 33 parts of the story, “Protect the Autumn Woods” with the search term, #AutumnWoods. “Protect the Autumn Woods!” Art Show at the Dayton Society of Artists (48 High Street, Dayton, OH) from November 1 — December 15 2024.

“Protect the Autumn Woods!” is adjacent to a larger show of amazing Dayton Artists, “Small, but Mighty.” Come see all of the art, any weekend, Friday 12-5, Saturday 12-5 to experience the art yourself.