“Postlude to the Afternoon of a Faun” is finalist for Eugie Foster Memorial Award

Very happy and honored to tell you that my novelette, “Postlude to the Afternoon of a Faun” originally published in The Magazine of Fantasy and Science Fiction (Mar/Apr 2019) is a finalist for the 2020 Eugie Foster Memorial Award!

The Eugie Foster Memorial Award for Short Fiction (or Eugie Award) celebrates the best in innovative fiction. This annual award is presented at Dragon Con, the nation’s largest fan-run convention. Starting with the 2020, we will add a video presentation of the award online, along with a reading of a section of each finalist.


The Eugie Award honors stories that are irreplaceable, that inspire, enlighten, and entertain. We will be looking for stories that are beautiful, thoughtful, and passionate, and change us and the field. The recipient is a story that is unique and will become essential to speculative fiction readers.

—from the Eugie Award website http://www.eugiefoster.com/eugieaward

You can learn on the website what a wonderful writer and person Eugie Foster was, and about her legacy. I’m deeply honored to be on a list recognized by those associated with her.

Four other writers are also featured with their stories:

A Civilization Dreams of Absolutely Nothing” by Thoraiya Dyer (Analog Science Fiction and Fact)

For He Can Creep” by Siobhan Carroll (Tor.com)

The House Wins in the End” by L Chan (The Dark)

Love in the Time of Immuno-Sharing” by Andy Dudak (Analog Science Fiction and Fact)

http://www.eugiefoster.com/eugieaward

I’ve had a wonderful two days just telling people that I became a finalist and receiving so much positive feedback. I kinda feel that being a finalist with all these cool authors and stories is its own reward! It’s really filled my soul with love in this very tumultuous time.

There are still many changes to make in the world. We will make them! Today, it was nice to feel loved.

PS. Yes that is my illustration for the story. It was something created way after the story was accepted and in print… but it was fun to doodle.

The Further Adventures of Yukon Cornelius

Today I want to share with you work that I completed while at the Columbus College of Art and Design, and which would have been part of the Columbus Arts Festival 2020 in June (but WILL be part of the festival in 2021!)

I fell in love late in life with a character from a Christmas special: Yukon Cornelius, created by Romeo Muller as part of the 1964 Rankin/Bass production of “Rudolph the Red Nosed Reindeer”–a stop motion special that is shown every Christmas. You might recognize the character:

Burly, positive, full of helpful asides “Bumbles Bounce!” and “the fog is as thick as peanut butter!”–Yukon helps our heroes realize their dreams by a) saving them from the Abominable Snowmonster, b) taking them to the Island of Misfit Toys to carry a message to Santa to come get these toys and pair them up with kids and c) reforming said Abominable Snowmonster and making him tame, and cool for Christmas Parties.

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I don’t know why Yukon stayed with me. It might be that I went to live in the Yukon for nearly 10 years. I mushed some dogs (tbh, only as a one-day fun thing in Inuvik, NWT–though I attended and watched the Yukon Quest as much as I could), and spent time out in the wilderness. But I also lived in the great city of Whitehorse being a friend and misfit to a lot of other friends and misfits, who are also great musicians, artists, talented amazing people.

undefined Maybe it was that Yukon was very burly, and I was attracted to him, or even attracted to the kind of man he represented–a big “bear”. He seemed like a better version of a male hero than I had previously encountered. Though he had a gun, I don’t think he ever shot it. He was practical, helpful, encouraging. He had a lot of knowledge about Abominable Snowmonsters! And he was much more interested in saving people than in killing monsters. In the end, because Bumbles bounce!–Yukon and Bumble somehow come to an understanding. Bumble is just another misfit that needs to find his right place… and he does, next to the Christmas tree.

In another post, I will tell you more about that Queering the Hero journey I made–and continue to make. But here are my paintings, extrapolating three things:

  1. Yukon Cornelius could be gay. People have commented before on the queer undertones of the show–read the articles here from Vulture, and KQED and in 2019 The New York Times opinion page—- about themes of bullying, about being different, about being rejected, about finding acceptance for your unique qualities. Romeo Muller was himself gay. It’s not a stretch to see the queercoding in the show. Making Yukon Cornelius gay is not a stretch either, since he doesn’t make mention of a wife, and reads as what we would call a “bear” today–a burly, bearded, slightly overweight, slightly hyper-masculine man.
  2. Yukon has a way of charming beasts. His expert past knowledge of the Abominable Snowmonster speaks to prior run-ins with “Bumble”—and then he is able to tame and speak to the Bumble (who miraculously grows back his teeth in the final few minutes of the special!)
  3. Yukon deserved more of an adventurous life.

So, I created that life for him–and for me. The copyright on characters from this movie had a misprint in it, making all characters in public domain (outside of Rudolph who had prior copyright). So I adopted Yukon as my hero and gave him a life of meeting cryptids (Bigfoot, Mothman, sea monsters, etc.) Using acrylic and myself as a reluctant model–or at times a stand-in, I painted these paintings. (side note: I’d planned to have several cooler guys than me become Yukon for these paintings–but planning photo shoots was not easy.)

So if you’ve always wanted a rollicking adventuresome gay hero, I offer you Yukon Cornelius–rescuing, negotiating, protecting, singing, reading, allowing himself to be loved.

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Better Beasts makes the Sunburst Award Longlist

sunburst_logo_wideI’m late to announce this, but no less thrilled.  On May 29, 2017, the Sunburst Award Society revealed their longlist for novels/short stories in the running for the Sunburst Award.  The Angels of Our Better Beasts was on it.  Well, I was completely taken by surprise, and deeply honored at the same time.  A friend told me “Congratulations!” and I had to ask why.  I quickly went to the website to see.  The list is full of amazing works by writers in Canada–and there I was among them.  The Sunburst Award is given for “excellence in Canadian literature of the Fantastic.”  Five judges read all the submissions and make their longlist.  Later they will make a short-list of about five works per category, and in September, they will announce winners.  I’m so stoked even to make the longlist with my debut book, that I’m going to revel in this for a long time!  I want to buy all the other books in the Adult Fiction section and read them!  And put them on a little shelf in this order, because I’m cheesy that way.  And because, if you like great lit of the fantastic, you’ll love what’s on this list Sunburst has made for us.  Thank you, Sunburst Award Society, for making lists like this, for loving literature of the fantastic, and especially, right now, for choosing my book for your longlist.  It means a lot to me as both a writer and a Canadian.

The List:

 

 

 

My Faith in Werewolves

tumblr_nmlov9kobq1s3y6tro1_1280I grew up with a dangerous love of werewolves.  I wanted to meet them.  I wanted to run with them in the woods behind the house.  I wanted them to break into my room at night and kneel at my bed and whisper all the courageous, adventurous things I could become.

I drew pictures of werewolves. I couldn’t help myself.  Especially when I was 14 and living outside of Caruthersville, MO, on the levy by the Mississippi River, where my father was the pastor of a small country church–those pictures came every day into my head and just bled out of my pencils and pens.  Most of these werewolves were kind, masculine, big brotherly, mentor-like werewolves.  I was not clued-in to my head at the time.

These werewolves came, most likely, from my deeply embedded and hidden sexuality, a love for hairy men that I could not understand–a feeling like there was a wild side of me that I must hide away.  But the werewolves at my window were always free.  Free to run.

These werewolves I drew–the first one made me weep as a teenager–there was something important in that picture, something I couldn’t fully understand growing up in my deeply religious environment.  I don’t regret the beautiful years of being deep in that family and faith (and I’m still a big part of my family and faith) but I regret not knowing what that was.  I’d have been a much different person if I had known I was gay at 15 instead of at 34.

I appreciate the magic and wonder my ignorance left me–and that’s a strange blessing to be thankful for, but it’s a blessing nonetheless. Because I could not believe in my sexuality, I believed werewolves were real.  I musta lived under some really awesome bubble of cognitive dissonance for an A+ student to believe werewolves were possible and still understand and love my science classes.  But there I was–a high school student who kept a space open in my brain for the possibility of werewolves.  It’s not so hard to believe.  For me, son of a Southern Baptist minister, I had a world with angel-demon fights, Jesus talking to you out of the air, fiery chariots racing to the sky, resurrecting dead people, talking donkeys–that’s a world where werewolves can happen, too, isn’t it?  That space I kept open–it’s a similar space open for the possibility of miracles, of faith.  So why not a …sorta faith in werewolves?

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Write with Me at The BRAINERY workshop!

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Would you like to write a few stories this summer and work with me for ten weeks?  The Brainery Workshop has several spots still open to work with me or Valerie Valdes in times that are convenient for you!

EVERYTHING IS ONLINE.  So you can participate no matter WHERE you are in the world, as long as you have a good internet connection.

We get together once a week and work on your stories.  We also go through Ursula K. LeGuin’s workshop guide, Steering the Craft, and we use the Jeff VanderMeer and Jeremey Zerfoss’ Wonderbook.  We’ll also be reading stories from Lightspeed and other magazines.

Come join a small group online—using GoToMeeting and WetInk–to create a great place for writing!

Want to know more?:  Follow this link to the BRAINERY WORKSHOP.

Jesus in Science Fiction

I started teaching a course that looks at the character of Jesus when he shows up in SJombsfcience Fiction.  Currently the course is only 6 weeks long and only taught at the UDLLI, the University of Dayton’s Lifelong Learning Centre for Senior Adults.  We are using the following short stories and novels in the course, and I will be placing the blogposts of the course over on Wrestling With Gods website because it’s become a great place to talk about religion and faith as it appears in science fiction and fantasy.

What happens to Biblical Jesus when the narrative is continued into the future?  Is it subverted?  Are writers appropriating Christianity to rewrite it and rob the narrative of its miracle, or do they instead seek to expand the notion of Jesus to its infinite possibility?  How does Jesus fare in science fiction and what can we learn about faith when science fiction writers write about him?  We look first at the life of Jesus in the Gospels to ground us in the ur-text, try to gather the importance of him as a character and iconic figure in history, culture and religion.  How is Jesus relevant in the future?  Then we look at how authors extrapolate the future of faith, or seek to tweak history, just a bit, to get the savior they want, and perhaps we can better see what kind of culture we are in the face of our chosen Saviour.

Come follow along over on the Wrestling with Gods site.  Already the class has been exciting as these students know a lot about religion, specifically Judaism and Christianity (UD is a Catholic institution) and many retired professors attend these classes for fun (they also can be quite mischievous).

The works we’re going to explore, and I will detail in blogposts are these:

To get us oriented on Jesus the character in the Bible:

Jesus: the Face of God    Jay Parini

“The Man”     Ray Bradbury from The Illustrated Man

“Mecha-Jesus”     Derwin Mak from Wrestling With Gods

“So Loved”           Matt Hughes from Wrestling With Gods

“The Rescuer”      Arthur Porges

“The Traveler”          Richard Matheson

“The Real Thing”       Carolyn Ives Gilman

 “Let’s Go to Golgotha!”      Garry Kilworth

“The Gospel According to Gamaliel Crucis”   Michael Bishop (a longer work I may not use)

“Jesus Christ in Texas” W.E.B Dubois  (which isn’t exactly Science Fiction, but may prove useful in this study)

Then two novels:

Behold the Man, Michael Moorcock, 

Jesus on Mars   Philip Jose Farmer

 If we have time, “Farewell to the Master,” Harry Bates—Which becomes The Day the Earth Stood Still.  This would be delightful to show to students in a longer class.  To read the short story and then watch both films.  

I can also see adding these works to the syllabus for a longer class:

The Man Who Died         DH Lawrence

Jesus Christ, Animator   Ken MacLeod

All Star Superman       Grant Morrison

Jesus Christs                AJ Langguth

Only Begotten Daughter     James Morrow

If you have suggestions on stories, poems, or novels to add to this list, let me know. Specifically we are NOT covering characters who merely have a “savior-esque” quality to them, or those that have a martyr motif.  I want to look at places where characters are for all intents and purposes supposed to BE Jesus.

 

 

 

Jerome in the Yukon Writers Festival

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A really nice article by Dan Davidson appeared in the Whitehorse Star on Friday, April 19. Alistair Maitland did the photo. I appreciate them both. I think this Festival will be a lot of fun. It’s always good to get to teach Yukon high school students as part of the Young Authors Conference as well.

The Festival starts with a big reading at the Kwanlin Dun Cultural Centre Tuesday night at 7pm. The Young Authors Conference is held the next two days after that in FH Collins Library and then we head off Friday to Haines Junction for a reading.

Organizer Sara Davidson has done a great job at gathering diverse writers together. Yukoner Dennis Allen, as well as Drew Hayden Taylor and Carrie Mac and Beverley Brenna.

If you can, come and enjoy the readings with us.

Speculating Canada reviews my story, “One Nation Under Gods”

Really thrilled that Speculating Canada reviewed my short story, “One Nation Under Gods” which appeared in Tesseracts 14. It’s hard to get short fiction reviews and they are so valuable.  The SF/F/H community should hold tight and nurture as many reviewers as we can. With a growing market of books, the discerning reader looks to reviews to help choose what to read.  And reviewers who choose short fiction, new authors, and anthologies help support beginning writers who are starting their careers, hoping that someone notices.  So we can’t fete reviewers enough–we need them, we love them, we should be very kind to them.

I’d say this for any thoughtful reviewer, even if Derek had NOT liked my work.  It’s the way he liked my work that makes me happy. 

Speculating Canada has a really great aim:

This site has been created in response to the overwhelming number of people who are surprised that Canadian literature includes the fantastic. Canadian SF, fantasy, and horror have been cast into a literary ghetto under the power structure of CanLit, and cast as either inferior literatures, or literatures that are not ‘of here’, i.e. from abroad. Yet, Canadian speculative fiction has a long history in Canada and engages with ideas of Canadian identity, belonging, and concepts of nationhood, place and space (both ‘the final frontier’ type, and the geographical).

Realist fiction is often seen as the only ‘truly’ Canadian fiction, but even realist fiction speculates, postulates and creates a fantastic idea, just one that is based more closely on the normative world around us than most SF authors are inclined to do.

Canadian SF allows for the engagement with ideas such as What is Canada? What does belonging mean? What is the nature of ‘human’? Why are things the way they are? How do we change things? Can things change?

The appeal of Canadian SF is not just regional, but has implications for a wider audience. Canadians, long un/comfortable with our identity as a hybrid of the American and English, Francophones and Anglophones, Aboriginal and settlers, and the multicultural mix that is embedded in our philosophy, means that we are comfortable with questions of identity and the exploration of our place, ideas that naturally lend themselves to science fiction, fantasy, and horror. We live in a world that is unsure of itself, and uncomfortable with ideas of belonging, and Canadian SF plays with ideas of belonging, disrupts the normal (or what has come to be seen as normal) and allows for a new way of experiencing the world.

As for the review–well, I’ll let you read most of it as his site, but here’s a nice chunk:

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Clarion Write-a-Thon: Join Team Bears Discover Fire

Wanna light a fire under your writer’s bum and do a good deed?

Clarion Science Fiction and Fantasy Workshop has developed the Write-a-Thon to help YOU and to help THEM.

You might be in a place in your life where you haven’t been writing much, but you wish, wish, wish, that you could–or that you had the time.  What we need, rarely, is the time—we need encouragement. The time will magically appear when we feel people in our life actually WANT us to write.

So Clarion has developed teams of writers to help you reach your writing goal—AND help Clarion reach their fundraising goals.

Here’s how it works:

1.  You say to yourself, I give myself permission to write for six weeks as much as I can.  I don’t have to take off from work, but I will find some time–with the help of my spouse, my significant other, my parents–to cordon off even a smidgen of time a day to write.

2.  You sign up with Clarion Write-A-Thon by clicking on those words.

3. (from the Clarion write-a-thon website)

  • First, sign up to write! Fill out as many of the fields as you can. It’s especially important to include a bio and excerpts. A link to your website and/or personal blog helps, too. Your name and a link to your new writer’s page will appear automatically on the Browse Writers page of the Write-a-Thon site.
  • Be sure to upload a recent photo of yourself. A .jpg that is a maximum of 200 pixels in width is ideal. But our software can resize it for you if necessary.
  • Post frequent updates everywhere. Refresh your Write-a-Thon writer’s page often with new excerpts. Post writing progress reports on your personal website, your blog, your Facebook page, and your Twitter feed. Make sure all of your efforts link to your Clarion Write-a-Thon writer’s page.
  • Line up your sponsors. Contact friends, family and fans to let them know you’re raising money for Clarion while nurturing your writing life. Your writer page comes complete with personalized donation buttons to make it easy for your supporters. Feel awkward about asking? Here’s a model letter to use as a starting point.
  • Participate as both a Writer and a Sponsor. When you support others, they’ll support you in return.
  • Join a team and get a mentor. Once you have $20 in donations, you’ll have the option of joining a small group of eight Write-a-Thon writers. Each group is mentored by a Clarion Workshop instructor or graduate, ready and waiting with advice and encouragement. To join a team, wait for your emailed invitation, or write to treasurer@theclarionfoundation.org.
  • Get Write-a-Thon badges for your blog and your website.
  • Remember, there are prizes! We’re giving away iTunes, Amazon, or B&N gift cards to our top earners, along with Write-a-Thon keepsakes. And each writer who brings in $250 or more gets a free story critique from a Clarion author!
  • You can also earn Write-a-Thon merit badges. You can begin writing any time. But beginning on the June 24, the official start of the Write-a-Thon, we have a special treat for you. On your Write-a-Thon writer’s page, you’ll see a grid with a question mark in each square. You can earn a maximum of one merit point every 24 hours by clicking the “I WROTE TODAY” button that will soon appear near the grid. As your merit point total passes certain milestones, merit badges will appear in your grid. We’re keeping the formula secret, so you never know when a badge will appear or what it will be. It’s all part of the motivational fun. We’re also trusting you to be honest. Only click the button if you really did some writing!
  • Sign up for the Clarion E-bulletin mailing list. It’s the best way to keep up with the latest Write-a-Thon news

See that part about “JOIN A TEAM”— that’s where I come in.  I’ve volunteered to be a mentor–with advice and encouragement!  My team is called TEAM BEARS DISCOVER FIRE after Terry Bisson’s story, “Bears Discover Fire.”  You’re going to discover fire in this group–as I’ll encourage you to write every day.  I’ll give prompts for those who want them, and encouraging little notes as we go along.  You’ll be in a group of people just like you who are pushing themselves for six weeks!  It’s just six weeks.  I wonder what YOU could do in six weeks if you had the encouragement from family and friends to do a little writing.

MY goal is to churn out six stories—they’re trunk stories, for the most part, but I need to get them finished.  And Clarion is the way to do it!

You might have a book that needs more chapters.  You might have some stories that need to get out.  You might have an idea that needs a story!

This Write-a-Thon is Write Up Your Alley.

Join my team and light the fire you need to get some stories and writing done.

BEARS!  Go light that fire!

[Visit the TEAM BEARS DISCOVER FIRE on WordPress and see what we’re up to!]

Bless You, Ray Bradbury

I was sad to hear of the passing of Ray Bradbury, a giant in my life.  He was 91, so he lived a good long life, and he gave us amazing writing like Something Wicked This Way Comes and Fahrenheit 451.  But I will always remember him for his collections of short stories, The Illustrated Man, Martian Chronicles, R is for Rocket, S is for Space, Medicine for Melancholy, and others.  They fueled my imagination–as I’m sure they did many people.  But I can truthfully say that Ray Bradbury–with his lyrical writing, his vivid description and interesting stories–shaped me as a writer. I heard he was one of those bridge writers–the ones that transcended genre.  But that didn’t matter.  What mattered was that he took me places, expanded my imagination, urged me to tell stories.

We met once.

I was in Lubbock, working, I think, on my last year at a degree at Wayland Baptist University.  It was 1992.  Ray was speaking at a Young Author’s conference, but also as a public speaker.  I was there to meet my hero.  I brought a copy of Martian Chronicles with me, and the picture of him in the paper.

He talked about his time working for the Smithsonian, designing famous garages of inventors; his work on the Moby Dick screenplay for John Huston.  He didn’t talk much about making science fiction…  but I was rapt nonetheless.  This man had produced so much.  His imagination was so vivid.

Afterwards, there was of course a line up to get signatures. Ray sat behind a small table, and I worked my way up to him.  While I was still a couple of people away, a woman came out of nowhere and jumped the line–with a stack of ten books, all open to the front page.  These she plunked down in front of Ray, saying “These won’t take you but a minute.”  Then she grabbed him by the shoulders and turned him sideways so her daughter could snap a picture.  I think Ray was a bit miffed–a whole line of people trailed out in front of him.

After quickly signing all her books, while she babbled, he turned back to the line with a huge amount of graciousness for our patience.  When I got up there, I put my newspaper and book in front of him, and said, “You’re the reason I started writing.”

He looked up.  “Are you sending stuff out?”

“Well, I’m trying to…I mean…” I stammered.  I wasn’t a very confident writer in 1992, with no sales to my name, but thirty bad stories completed and sitting around somewhere.

“You have to send them out.  Send one out a week.  That’s what I did.  I wrote one story a week–started on Sunday and mailed it on Saturday.  I did this for years.  That way I had 52 stories in the mail and some of them had to sell!”

He laughed.  He shook my hand.  I assured him I would do that. I didn’t keep that promise.  I went on to college, studied writing, but never writing one story a week–until I got to Clarion Writing Workshop and had to write one story a week–(I got five out of six weeks!)

That day back in 1992 I felt blessed by Ray Bradbury.  My hero took time with me, gave me advice.  Perhaps he was fueled by the woman who had taken the time he wanted to give us–maybe he felt an extra special need to be encouraging to me.  I don’t know, but I’ll never forget it.

Bless you, Ray Bradbury.  Bless you for blessing me that day.  And bless you for all the wonderful stories and novels and essays you left us.  And how you crafted magic out of an ordinary day.