Grandmother Rapunzel Teaches Us What to Do with a Tower

“Grandmother Rapunzel Knows What to Do With A Tower,” by Jerome Stueart (11 x 15) watercolor, mixed media on paper.

I wondered what an older Rapunzel might teach us about how we live with the past, how we get over our towers, and how we might transform them.

Rapunzel had a lot of “Tower” moments.” She lived inside a tower moment created by great upheaval and change when she was traded to a witch as a baby and raised in the tower, isolated, trapped. The Witch, as mother figure, wanted to control what she saw, what she did, who she knew, what she thought. In Sondheim’s “Into the Woods,” the witch is just an over-protective mother; in Disney’s version, she is Dame Gothel and uses the girl’s hair for immortality. In the Disney version (Tangled, 2010) Rapunzel transforms her tower inside to something beautiful–always “repainting” her childhood, the isolation, as a place of joy. I liked that — but I also thought an older Rapunzel, someone we never ever see, might be able to give us some pointers.

Fairy tales could have lessons for Elders too if we heard how the story continued.

In my reimagined Rapunzel here, she tries to thrive inside the tower, even making a swing out of her hair. If there are suitors, they are scared off by the witch. Rapunzel eventually outlives the witch, but she is left with the tower.

What do you do with the Tower you are left with?

  1. Examine the Tower from the Inside

As a writer, I have been circling around tower moments in my own life, trying to see them honestly, not relive them, and write about them, so that maybe I can put the tower behind me. But it is hard to look closely at your tower without feeling trapped, or feeling the pain of what it was like inside that tower. People who hurt me are long gone; circumstances have changed. But I am still in the tower because I don’t know how to climb down.

Rapunzel had her hair, but she’d have to remove it to leave. There’s no door at the bottom. In some versions of the fairy tale, she makes a ladder of straw and climbs down — so maybe there doesn’t have to be a sacrifice, but getting out of your tower is not always easy. They tend to travel with you.

Before I can leave though, I need to understand what my tower is, and how it shaped me going forward. It’s hard to look closely at your tower but I don’t think we can escape them without understanding them first — and understanding how we ourselves are NOT our towers.

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Kuroshio Sea: a City Observed

 Jon Rawlinson has shot a beautiful video and placed it on Youtube for everyone.  It is spectacular.  It is the second largest aquarium tank in the world, the Kuroshio Sea, at the Okinawa Churaumi Aquarium in Japan.  The slow motion of the sea life, the black shapes of the people coming to observe this floating city, the music that perfectly matches the rhythm of the rays as they pulsate to the top.  I hope the Discovery channel or National Geographic picks this up as a commercial for a fund for Oceans.  It spurs a viewer to think more about the sea as a culture, a huge culture of life.  

Perhaps it’s what’s been missing when we see aquariums–we never get the grand scale.  But here, the camera moved back and just set to record—we see nearly five minutes of a city under glass under water, the schools of fish flying in formation, the slow galooting of the whale sharks as they pass.  It’s unforgettable.  

What I love too are those people, who are moving not in slow motion, but when they reach the edge of the tank they slow down and stop and we see scale, but we also see the dynamic inherent in saving the oceans:  People must be aware, people must see.  If it were just a video of the aquarium by itself, I think it would have less an impact on me.  It’s the people in the foreground that remind me of where we are, how small we are, and who is observing and why we are important to put in that picture.  

Thank you, Jon Rawlinson.  See his other work here.  I hope the Discovery Channel or the World Wildlife Fund or a new Oceans Fund calls you and asks you for the video.  Everyone should see this on a flat screen TV.  I’m sure it is stunning…

The Photography of Amanda Graham

While many of us know Amanda Graham as both an editor of the Northern Review, a professor in the University of the Arctic and at Yukon College, she is fast becoming, IMHO, one of the best photographers around. She calls it a hobby. I think her work is fascinating. I have borrowed a couple of her photographs for advertising classes at the college, but you really must see her collection on Flickr.

What I love about Amanda’s photos is that she has a great eye for quiet moments. These are photographs that deserve to be much bigger, hanging inside a room where you want to feel peace. Sometimes, I think they bring me solace–that maybe if I look for it in the real world, I’ll find the peace in the chaos. She finds the arrangement, the composition, that brings out the peace in discarded carts, peeling paint, arranged fruit, abandoned rags–and makes them beautiful.

She’s also quick to take advantage of a moment of light, an odd juxtaposition that’s there for a second, revealing something I may not catch if I wait for it to happen. I mean, most of these subjects are in Whitehorse. Can you find them?

I’m reminded of the waltz of the bag in American Beauty. It takes the right eye to see the beauty. But that eye can be trained. And thank goodness, that beauty can also be shared.

Sometimes there’s so much beauty in the world I feel like I can’t take it, and my heart’s just going to cave in.”–American Beauty.

Please take a moment and wander through her Flickr collection. You’ll be glad you did.