Writing Science Fiction and Fantasy Afterschool Program?

crocodile_hunter, mauro liraI would love to start teaching an afterschool program for teens to write science fiction and fantasy.  I have often taught this at a local school library–with snacks–once a week for high school students.  If you know of a way to contact or approach Dayton/Vandalia area high schools, or program coordinators at high schools, let me know.  I’d love to be able to offer these classes again.

Rocketfuel ignites imaginations

 

 

Tesseracts 18: Wrestling With Gods Cover Reveal

T-18-Cover-270x417-100dpi-C8Happy Bodhi Day!  Tesseracts 18 has a COVER!  I’m very excited to show you the new cover for Tesseracts 18: Wrestling With Gods, the new anthology of science fiction and fantasy from Edge Science Fiction and Fantasy Publishing, latest in the long running, award-winning Tesseracts anthology series.

The Tesseracts Eighteen anthology is filled with speculative offerings that give readers a chance to see faith from both the believer and the skeptic point-of-view in worlds where what you believe is a matter of life, death, and afterlife.

The work is now available as an e-book download for Amazon Kindle, exclusively, until it’s available in print in March (Canada) and April (USA) and in other e-book formats.  Keep watching for more on Tesseracts 18 in the coming weeks!  Order your Amazon Kindle e-book today–just in time for some holiday reading.

On a personal note, I’m incredibly proud of this anthology! I have enjoyed multiple readings of the stories and poems included and I would say these represent the best of Canadian science fiction and fantasy–stories that also happen to speak on faith and religion in some way.  I think you’ll be surprised how easily science fiction and fantasy speaks on these topics–and remember classic stories and novels that have always spoken about faith.

Click on the cover to take you to Amazon’s Tess 18 site where you can purchase an Amazon Kindle download.  Again, print versions come out in the spring, as well as other ebook editions.

Featuring works by: Derwin Mak, Robert J. Sawyer, Tony Pi, S. L. Nickerson, Janet K. Nicolson, John Park, Mary-Jean Harris, David Clink, Mary Pletsch, Jennifer Rahn, Alyxandra Harvey, Halli Lilburn, John Bell, David Jón Fuller, Carla Richards, Matthew Hughes, J. M. Frey, Steve Stanton, Erling Friis-Baastad, James Bambury, Savithri Machiraju, Jen Laface and Andrew Czarnietzki, David Fraser, Suzanne M. McNabb, and Megan Fennell.

About the Editors for Tesseracts Eighteen:
Liana Kerzner is an award-winning TV producer & writer who was also in front of the camera as co-host of the late night show Ed & Red’s Night Party, and is currently the host/writer of Liana K’s Geek Download, heard weekly on the internationally syndicated radio program Canada’s Top 20.

Jerome Stueart has taught creative writing for 20 years, teaches a workshop called Writing Faith and has been published in Fantasy,
Geist, Joyland, Geez, Strange Horizons, Ice-Floe, Redivider, OnSpec, Tesseracts Nine, Tesseracts Eleven, Tesseracts Fourteen,
and Evolve: Vampire Stories of the New Undead. His novel,One Nation Under Gods, will be published in Nov 2015 from ChiZine.

————————————————————————-

For more on Bodhi Day–the Day Buddhists commemorate the Enlightenment of Buddha– see this link.

“Lemmings in the Third Year” and Women in Science

photo by Leo Seta, Flickr, Creative Commons
photo by Leo Seta, Flickr, Creative Commons

For the first time, available now by itself: “Lemmings in the Third Year” for your Kindle, iPad, e-reader device. 

Arctic researchers stuck in a land of talking animals, comedy, runner up to the Fountain Award.  The idea started with Iron John: a Book About Men and ended up being about Women in Science instead.  How did that happen?

__________

It was the summer of 1992 when I moved to Missouri to sit outside the gates of the University of Missouri-Columbia and hope that I got in to their Masters program.  It was foolish.  I can’t believe the belief I had, the sheer power of conviction that they would pick me if I waited right there.  To wait the year–in order to get in-state tuition too—I worked at Taco Bell, next-door, and I was just barely getting by.  I lived in a house with four roommates, but the rent was about 400 a month for a bedroom.  In the fall, I saw an ad in the Maneater (the student newspaper) for a cartoonist.  It paid 12 dollars a cartoon.  You had to produce 2 cartoons a week, but you had an open subject, any style, whatever you wanted to do.

I was not a student at the time, but maybe they made an exception for me.  I could draw.  I had imagination.  I could do this.  But what would I write about?  I remember that I was reading Iron John: A book about Men, and was very confused by it.  There was a lot I loved, and I lot I argued with.  Robert Bly brings that out in people–and that’s okay.  I had also picked up a book about polar bears from a discount shelf inside an old Hastings store.  By mashing Robert Bly and polar bears I created Captain Bly and submitted six cartoons for consideration.  I got in!  It meant that I had nearly 100 extra dollars a month!  I was thrilled.

I kept that cartoon strip going for four years.  After the year waiting outside, I did finally get into Mizzou, but I kept the Taco Bell job too.  The strip started out being about men, and about bears (I didn’t have a clue that I was a gay man who loved “bears” but drawing them made me happy).  But soon it got into science, and I created three biologists who journey north and are stuck in a north where all the animals talk to them.

Continue reading

Gays Will Save the Church: my story in Queer Story Archives

As a science fiction/fantasy writer, I just want to remind folks that we aren’t all alike, and we don’t live in just one bubble. My blog has always been about the experience of being a science fiction/fantasy writer and not just reflecting the genre/writing parts—but about my whole experience of being a Yukoner, of having a faith, of being gay–AND being a science fiction/fantasy writer. So this is part of it.

The Queer Story Archives came up to Whitehorse–Lulu from OnMyPlanet.ca–in July 2013, recording stories of Yukon Queers, and we recorded this right before I was to leave for Dayton, Ohio. I think it’s turning into a positive story so I’m sharing it. Ultimately I’m suggesting that including gay people can save a rapidly diminishing Church population. To do that, I tell my story. Some of you have heard it–either through the Yukon News, or through DNTO. Both sources were good but heavily edited. This is me telling it in less than ten minutes. It feels better in my own words, complete.

We grow from hard times in our lives and this was a good growth for me. Eventually, I’ve come to retain and re-establish many friendships from the first church. I hope my story still helps others. I’m placing this over on Talking Dog too.

Depicting the Divine in Epic Fantasy via Tor.com

From Brian Stavely comes a thoughtful post on depicting the divine in Fantasy over on Tor.com.  I’ve included a short beginning here, but read the whole thing at this link to the whole article. Essentially Stavely counts off the ways one can describe a god in epic fantasy fiction–and there are five options.  I was thinking through his list, and it’s good, but I think there are at least three more ways to depict a god in epic fantasy, and I humbly offer them up:

Option 6: Use other people’s understanding of the god as description.  They might not all be alike, but the confluence, the overlap of them, will give a mosaic feel to your god.  It will also create character development for the characters who have seen/or believe in this god, as we tend to see what we desire in our gods.  A god’s description in the mouth of one character as a “god of vengeance” is a very different character than someone who calls him “a god of protection.”  May be same god.

Option 7: Use tales of the deeds of a god to describe him or her.  Actually what a god does says more about him than his/her description.  And again, people have tales. If you can gather up the tales of a god, you can capture a character description that readers can fill in as they go.  Then if and when the god shows up in your text, it may already have a pretty firm description in the mind of the reader, based on what it has done in the world.  God is rarely described in the Bible, but his deeds let you know exactly what kind of God he is.

Option 8: Every culture uses Art to talk about its gods.  Can you pull together images of the divine from a culture’s art?  That will help form a picture in a reader’s mind through the cultural depictions of the gods, telling you a hell of a lot about the culture, as well as the god.  Michaelangelo’s God touching Adam who seems curly headed and benevolent, and other depictions of God as a fiery, anger-filled rage monster.

___________________________________

Depicting the Divine in Epic Fantasy

by Brian Stavely

There’s a striking moment near the end of the twenty-first canto of Dante’s Inferno, one that almost all readers tend to remember, when the demon Barbariccia “avea del cul fatto trombetta.” It’s hard to put it delicately: he turns his ass into a trumpet. Not the kind of thing you expect out of a writer recording the steps his salvation, but the image stays with you.

Likewise, readers of the Divine Comedy remember Ugolino, who, for the sin of eating his sons, is forever frozen to his neck in ice, gnawing on the brains of Archbishop Ruggieri. In fact, Dante has no trouble at all depicting sinners in the various postures of their suffering, and for seven centuries readers have kept turning the pages. Corporal violence sells. Electronic Arts even has an eponymously titled video game in which Dante looks less like a poet and more like a Muay Thai Knight Templar. The EA people are no fools—they understand that there’s a ready market for brain eating and ass trumpets.

When it comes to the celestial realm of heaven, however, Dante runs into trouble.

READ MORE HERE.

Thanks, Brian and Tor.com!!

Hopefully these suggestions help YOU when writing about Faith in your Fantasy or Science Fiction.  Let me know what you think.  And don’t forget, you can write about Faith in Fantasy and Science Fiction for the Tesseracts 18: Wrestling with Gods anthology, open for submissions right now over at http://www.tesseracts18.com!

Tesseracts 18: Wrestling with Gods open for submissions

Very proud to announce the new Tesseracts 18 is open for Submissions.  We’ve built a website for it at Tesseracts18.com  Come check out our conversations about faith and science fiction and fantasy.  This anthology is open to Canadian citizens, landed immigrants of Canada, longtime residents and, of course, Canadians living abroad. Yukoners, I hope to see you write a story and submit.

IMG_1094Tesseracts 18: Wrestling With Gods — Faith in Science Fiction & Fantasy

Well this is an all new topic for Tesseracts!  And possibly a completely new topic for an anthology: a multi-faith, creative faith anthology of science fiction and fantasy.  Who would have thought?

Here’s our thoughts on that kind of anthology:

______________

Jacob wrestled with an angel in the night, earning him the name “Israel”, which means “struggles with god.”  Buddha wrestled, and the hero of the Mahabarata wrestled too.   Wrestling is a part of faith.  Having a faith can help immensely with struggles in our lives, but we also must struggle against the rules, the boundaries, and the very doctrine at times.  We all wrestle with our cultures and our gods, whether we believe in them or not.  Faith is not passive.  Human progress has relied on brave souls willing to challenge convention through their beliefs.  And faith is not separate from Fantasy and Science Fiction.  Fantastic elements are integral to all major faiths–they have their gods, fantastic creatures, miracles, blessings, power and magic.  We continue that journey into space, possibly encountering worlds with their faiths.  Since our cultures all began with fantasy and struggling with faith, Tesseracts 18 will continue the Science Fiction and Fantasy tradition of wrestling with Faith, without declaring all-out war.

The anthology will include a diverse representation of both real-world religions and faiths of fictional cultures.   Instead of looking to pass historical or cultural judgement, it will feature character-driven stories including faith, doubt, miracles, spiritual journeys, and diversity of opinion within a faith.  It will avoid blanket stereotypes of faith-based cultures.  We’d love to see faith surprise us, and surprise science fiction and fantasy readers.

________________

Some questions we think naturally come from this:

How does Faith inform a culture, change a culture?  What does it mean to really believe?  What kinds of religions and faiths are out there in the universe?  How does faith play out already through established fantasy cultures?  How can people keep believing, sometimes with very little evidence?  Or is there evidence that is so personal, it is never shown to others?  How does faith effect an individual, a family, a city, a society, a race, a conflict, love?

Starting soon, we’ll start posting conversations about how science fiction and fantasy has dealt with faith and religion in the past—just to be able to talk about where we’ve come from, how those representations challenge the genre or challenge readers and writers.

Mostly we just want to create a conversation about faith in fantasy and science fiction–in all its diversity!  PLEASE join us.  We’ll talk a blue streak with ourselves, but we’d just as soon have as many voices as possible in this conversation.

TO SUBMIT: Borrowed straight from EDGE BOOKS.

SUBMISSION DETAILS:

    • This anthology will include as diverse a representation of both real-world religions and faiths of fictional cultures as possible. Stories should not be looking to pass historical or cultural judgment, instead they should feature character-driven plots that include faith, doubt, miracles, spiritual journeys, and diversity of opinion within a faith.  Please avoid blanket stereotypes of faith-based cultures.  The editors want to “see faith surprise us”, as well as “surprise science fiction and fantasy readers”.
    • The Tesseracts Eighteen anthology will reflect as broad a spectrum of stories as possible; highlighting unique styles and manners.
    • Submissions must be speculative fiction: science fiction, fantasy, dark fantasy, magic realism, slipstream, supernatural horror, weird tales, alternate history, space opera, planetary adventure, surrealism, superheroes, mythic fantasy, etc.
    • Submissions may be either short fiction or poetry.
    • The maximum length for stories is 5,000 words, with shorter works preferred.
    • The Tesseracts anthology series is only open to submissions from Canadians, landed immigrants living in Canada, longtime residents of Canada, and Canadian expatriates living abroad.
    • Canadian authors who write in languages other than English are welcome to submit an English translation of their work, provided it otherwise falls within the parameters of this anthology. Translation into English is the sole responsibility of the author. Please supply details of original publication for any submission that originally appeared in a language other than English.
    • Deadline: December 31, 2013 (midnight).
    • Do not query before submitting.
    • Email submissions to: tesseracts18@edgewebsite.com
    • Emails MUST contain the word “submission” in the subject line, or they will be deleted automatically by the server. Please also include the story title in the subject line.
    • Submissions MUST come in an attachment: only .RTF and/or .DOC formats are acceptable.
    • Emails MUST contain a cover letter in the body of the email; for security reasons, email attachments with no cover letter will be deleted unread and unanswered.
    • Cover letter: include your name, the title of your story, your full contact information (address, phone, email), and a brief bio. If you do not live in the place where you were born, please also include your place of birth.
    • Do not describe or summarize the story.
    • If your address is not within Canada, please indicate in the cover letter your status vis-à-vis Canada.
    • Reprints (stories having previously appeared in English in any format, print or electronic, including but not limited to any form of web publication) can be considered but will be a hard sell; reprints must come from a source not easily available in Canada. If your submission is a reprint, please supply full publication history of the story. If your story appeared previously, including but not limited to anywhere on the web, and you do not disclose this information to the editor upon submission, you will be disqualified from consideration.
    • Submission format: no strange formatting, colour fonts, changing fonts, borders, backgrounds, etc. Leave italics in italics, NOT underlined. Put your full contact information on the first page (name, address, email address, phone). No headers, no footers, no page numbering. DO NOT leave a blank line between paragraphs. Indent paragraphs. ALWAYS put a # to indicate scene breaks (a blank line is NOT enough).
    • ALWAYS include your full contact information (name/address/email/phone number) on the first page of the attached submission.
    • Payment for short poetry is $20.00. Payment for short stories is prorated as follows: $50 for stories up to 1,500 words, rising to a maximum of $150 for stories up to 5,000 words (longer stories are paid a slightly higher fee, but in order to exceed the word length limit of 5,000 words, the editors must judge a story to be of surpassing excellence.)
    • Rights: for original fiction, first World English publication, with a two-month exclusive from publication date; for all, non-exclusive anthology rights; all other rights remain with the author.
    • Spelling: please use Canadian spelling, as per the Canadian Oxford Dictionary.
    • Response time: initial responses (no / rewrite request / hold for further consideration) will be prompt, usually within fifteen days. Please query if you’ve not heard back within 30 days. Final responses no later than 15 February 2014.
    • Submit only one story or poem. Multiple submissions will not be accepted.
    • Simultaneous submissions will not be accepted.
 

*Image is from a Chihuly glass exhibit in Seattle, WA

Canada offers a Way to Avoid the “Hockey Cliff”, forms New League

"What else can we do? We have an obligation to our Canadian fans, our players. Playing them is the only option," says Mike Gillis GM of the Canucks
“What else can we do? We have an obligation to our Canadian fans, our charities and our players. Playing them is the only option,” says Mike Gillis GM of the Vancouver Canucks

There’s more than one cliff North America approaches and, even as US President Barack Obama hopes to steer clear of the “fiscal cliff,” the NHL is trying to avoid a cliff of their own.  After 107 days of the NHL Lockout, fans are steaming at a lack of hockey in their lives.  Just in time, perhaps, to save everyone, Canada has a plan.

Canadians announced today that their teams are withdrawing from the NHL and immediately forming the Hockey League of Canada.  Prime Minister Stephen Harper has budgeted that every major city in Canada will have its own Hockey team if they don’t already have one.  For example, this includes Goose Bay, Iqaluit and Whitehorse.  They are inviting all Canadian hockey players to ditch their American teams and come play on a new league immediately.

“It’s Canada, so players can be assured that they will receive great pensions and healthcare, without having to barter their lives and careers away for that,” Dermott Mulchahy said in a statement to the press this afternoon outside of Rogers Arena, home of the Vancouver Canucks.  After Muchahy spoke, GM Mike Gillis of the Canucks said, “What choice do we have?  We have an obligation to our Canadian fans, our charities, and our players. Playing them is better than not playing them. Playing them is the only option.”  He looked around the room.  “Canadians and hockey fans in general are fed up.”

Players will be chosen in a lottery so that every city has the chance of winning star players.  This completely shakes up any of the teams–but many already believe this will be a good thing.  The new games begin on February 1st.  Mulchahy, as President of the newly formed Hockey League of Canada, believes that fans will be so excited to see hockey happening that they won’t care if it’s called NHL or HLC.  And American cities, still mired in the negotiations for their hockey teams, minus Canadian players who defect and come back home, will probably find themselves watching HLC games and not caring if the NHL ever forms again.

Farm teams in the south, like the Odessa Jackalopes, are being offered the chance to come play major league hockey right away, adding a lot of surprise, and fresh blood, to the game.  “Me and my buddies, we’re already heading north!” said Jamie Gonzalez, one of the best scorers in the Jackalopes.

Whitehorse, Yukon, already knows the name of their team, the Dawson City Nuggets, even though the team will play in Whitehorse.  “It’ll bond our two cities together,” said Whitehorse mayor, Dan Curtis.  “We couldn’t be more thrilled.”

If the NHL does not reach an agreement by midnight January 1st, the HLC goes into effect in Canada.  Canadians are now hoping that the NHL never gets their act together.

“Come home,” Prime Minister Stephen Harper said in a statement today to Canadian hockey players worldwide.  “Come back home to Canada and play your hearts out.  We’ll tend your goals.”

______________________

You’re reading a blog about science fiction, fantasy and the Yukon.