October 11:  Yukon Cornelius tries to avoid the Black Dog of Death

Hiking the mountain trail on a summer night was beautiful, and still very warm. I sweated through my clothes. The moon lit up the sparse clouds. Few people hike at night.  But since I often get visited by strange creatures wherever I am, I try to stay away from crowds. This turned out to be a good idea. A black dog with big glowing red eyes now stood on the path ahead.  That was not a camper’s dog.  I needed to figure out which kind of ‘black dog’ this was before I just walked into it blindly. Folklore was full of reports of black dogs as apparitions of the dead, of the Devil, of doom, and they were often malevolent to travelers.  But those accounts were written in a superstitious age when death and disease and illness were attributed to Sin and other moral or religious laws.  So we gave Death a dog. A dog that warned us that Death was coming.

Perhaps this one wanted to talk.  Some might be friendly guardians.  Which was it?  Was it evil or protective? Was it the You’re Doomed kind or the You’re Safe Now kind?  Did it matter? Yes, I wanted to be aware of what I was walking into. I had a choice to keep going—but now it would be there.  Would it hurt me? How would it affect my hike, my safety?  Do I run from it, or walk toward it?  I needed to know which black dog it was ahead of time, but I didn’t know enough to make a good choice. I also couldn’t make a life out of avoiding unknown creatures.  That’s kinda inevitable for me.  So I took what I knew, just started walking again on the trail, and as I got closer and closer, I tried talking to it (sometimes a bad idea with black dogs). It didn’t move.  I told it I was going to walk around it, and I did.  And it stayed where it was.  If it needed me, it could always follow me, but I needed to keep walking. It trailed me. I was going to have to deal with it when I camped. Closer to sunrise, I found a good spot, next to a clear creek with a pool. I was hot, sweaty, and exhausted, and that creek would feel great. I set up a tent and then went for a dip just as the sky lightened. And ten minutes into relaxing in the water, it showed up again, crossing through the trees behind me. I decided to let it do what it was going to do. I wasn’t exactly in a place to run or defend myself.  Some black dogs are unavoidable. I kept my hands on the bank of the little pool to indicate that I wasn’t going to hurt it. (FYI, I am not immune to attacks by supernatural creatures.) Behind my head, I heard it run towards me. Harder and harder. I ducked down as it leapt over my head and dove into the water in front of me, splashing my face with a wave. I didn’t move. I was in shock and very wet. Then it bobbed in front of me, with its red glowing eyes, and I saw a green tennis ball in its mouth, and it pushed the ball onto my hand. “So that’s your game, Portent of Doom,” I said. I took the ball and threw it down the creek. She fetched it and came back, smiling, nuzzling me. We did this about twenty thousand times. I laughed a lot.  Maybe Death’s Dog needed to play.  Maybe I did.  Sometimes, the things we’re nervous about up ahead turn out to be surprisingly nice—even good for us.

Great Queer Fantasy and Science Fiction

I moderated a “Queering Fantasy” panel at the virtual 2020 World Fantasy convention that looked at the connection between adding queer characters and queering the fantasy tropes themselves.

How do you queer Fantasy and Fantasy tropes? Is it dropping in a queer character into an otherwise fantastical plot? Slipping in a positive queer romance? Or is it dismantling, changing, altering, and questioning the tropes that have been present in Fantasy for decades? Is it queering the way power is distributed in a society, or queering character goals and story endings? Does it touch how we build a Fantasy economy, a government, a landscape, a culture? We would say it includes all these things. Queer characters invite complete queer make-overs of Fantasy tropes. We’re here to discuss that– discussing the contributions of LGBTQIAA2S+ authors to the field; we want to give you plenty to look at and consider. Heck, we might, at the end, even compose multiple queer “I want” Disney songs for the Fantasy stories we want to create or see created–ya never know. Whether you’re an activist or an ally, we welcome you.

We had a great time–and if you went to WFC2020 and didn’t see it, it is recorded. We could have talked another hour on these themes. Part of our takeaway for guests to that panel was a list of great queer fantasy and science fiction. We placed it in the Session Pages section of WFC 2020’s online presence at Crowdcast. We had originally just been thinking of fantasy, and then it expanded to include SF and then horror, steampunk, etc…. but here is the list (with a few more edits by me).

Caveats: This is NOT a list of every queer story out there–by no means–but was a list that four panelists Corry L. Lee, Cheryl Morgan, S. Qiouyi Lu and I could come up with over a couple of days to hand to people when they got done with the panel.

It’s intended to be a starter list–a recommended reading list. These are books we’ve read and recommended. It is limited by our personal reading. It will have holes (not enough of us read YA and MG) and S. didn’t get a chance to put aer complete list with ours, but I hope ae does and then I will add aers to the rest.

I chose representative covers with complete randomness, not as any statement.

There are many great reading lists for queer books–this one is ours.

So, from the “Queering Fantasy” panel at the 2020 World Fantasy Convention, a list of their recommended reading:

Great Queer Fantasy and Science Fiction

Feel free to circulate and add your own–or let me know! Let it grow, let it grow, let it grow!

Recommendations by Corry L. Lee, Cheryl Morgan, Jerome Stueart, and S. Qiouyi Lu

Key: SF = Science Fiction, F = Fantasy, YA = Young Adult, MG = Middle Grade, H = Horror, SP = Steampunk, SH = Superheroes, GN = Graphic Novel SS = short story collection

Adult:

  • Ninefox Gambit – Yoon Ha Lee (SF)
  • The City We Became – N.K. Jemisin (F/contemporary)
  • The Perfect Assassin – K.A. Doore (F)
  • Raven Tower – Ann Leckie (F)
  • Ancillary Justice – Ann Leckie (SF)
  • A Memory Called Empire – Arkady Martine (SF)
  • The Future of Another Timeline – Annalee Newitz (SF, Alt Hist)
  • Weave the Lightning – Corry L. Lee (F, novel)
  • Dhalgren — Samuel R. Delany (SF, novel)
  • Stars in my Pocket Like Grains of Sand — Samuel R. Delany (SF, novel)
  • The Affair of the Mysterious Letter – Alexis Hall (F)
  • Will Do Magic for Small Change – Andrea Hairston (F/contemporary)
  • Silver in the Wood & The Drowned Country – Emily Tesh (F, novellas)
  • The Seep – Chana Porter (SF, novella)
  • Swordspoint – Ellen Kushner (F, novel and the whole Riverside series)
  • The Outremer Series – Chaz Brenchley (F, 6 novels in US, 3 fat novels in UK)
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Speculating Canada reviews my story, “One Nation Under Gods”

Really thrilled that Speculating Canada reviewed my short story, “One Nation Under Gods” which appeared in Tesseracts 14. It’s hard to get short fiction reviews and they are so valuable.  The SF/F/H community should hold tight and nurture as many reviewers as we can. With a growing market of books, the discerning reader looks to reviews to help choose what to read.  And reviewers who choose short fiction, new authors, and anthologies help support beginning writers who are starting their careers, hoping that someone notices.  So we can’t fete reviewers enough–we need them, we love them, we should be very kind to them.

I’d say this for any thoughtful reviewer, even if Derek had NOT liked my work.  It’s the way he liked my work that makes me happy. 

Speculating Canada has a really great aim:

This site has been created in response to the overwhelming number of people who are surprised that Canadian literature includes the fantastic. Canadian SF, fantasy, and horror have been cast into a literary ghetto under the power structure of CanLit, and cast as either inferior literatures, or literatures that are not ‘of here’, i.e. from abroad. Yet, Canadian speculative fiction has a long history in Canada and engages with ideas of Canadian identity, belonging, and concepts of nationhood, place and space (both ‘the final frontier’ type, and the geographical).

Realist fiction is often seen as the only ‘truly’ Canadian fiction, but even realist fiction speculates, postulates and creates a fantastic idea, just one that is based more closely on the normative world around us than most SF authors are inclined to do.

Canadian SF allows for the engagement with ideas such as What is Canada? What does belonging mean? What is the nature of ‘human’? Why are things the way they are? How do we change things? Can things change?

The appeal of Canadian SF is not just regional, but has implications for a wider audience. Canadians, long un/comfortable with our identity as a hybrid of the American and English, Francophones and Anglophones, Aboriginal and settlers, and the multicultural mix that is embedded in our philosophy, means that we are comfortable with questions of identity and the exploration of our place, ideas that naturally lend themselves to science fiction, fantasy, and horror. We live in a world that is unsure of itself, and uncomfortable with ideas of belonging, and Canadian SF plays with ideas of belonging, disrupts the normal (or what has come to be seen as normal) and allows for a new way of experiencing the world.

As for the review–well, I’ll let you read most of it as his site, but here’s a nice chunk:

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Vincent Chong Launches New Blog and Art Book

If you’re a fan of Vincent Chong, and you’ve seen my post on him, you’ll be delighted to know he has a new blog and he has a new Art Book coming out.  The details are below.  

Vincent was commissioned to redesign covers for all of Stephen King’s books, and they’re stunning.  I’ve picked out a few designs I like.  I’m waiting still for the really cool werewolf one.  (But there aren’t really any good werewolf novels yet…gonna have to write one)

My new blog http://vincentchongart.wordpress.com is now online.  The blog will be updated regularly and feature posts including news updates, artwork, behind-the-scenes material such as sketches, insights into my working methods/inspirations, tips and info on life as a freelancer and much more.  There’s also free downloads including desktop wallpapers, so please stop by for a visit and check it out.  

I’m also excited to announce that the first art book collecting my work will be published by Telos Publishing.  Entitled ALTERED VISIONS: THE ART OF VINCENT CHONG, the book will be a 48 page, A5, full colour hardback edition. Further details can be found on my blog.

The book will be published 25th March and launched at the World Horror Convention 2010 but you can pre-order a copy now direct from the publisher’s website http://www.telos.co.uk under the ‘Original and Classic Fiction’ section.  Copies are expected to be limited so place your order now to avoid disappointment.

If you know of anyone else who may be interested in my blog or art book, please pass this information onto them.

Thanks!

Best
Vincent

Evolve: Vampire Stories of the New Undead–all Canadian, all vampire, and evolved

Imagine this:  what would the future of vampires look like?  How would they evolve?  24 Canadian writers thought about this and came up with their ideas. Evolve: Vampire Stories of the New Undead is an all Canadian anthology–23 stories, one poem.  It’ll be launched at the World Horror Convention in Brighton England in March.  

Yep, I have a story in there, “How Magnificent is the Universal Donor.”  In my story, vampires have finally been pulled into positions of power in the medical field.  They save the world by stepping in to keep a terrible blood disease at bay, and they continue to keep the world safe.  But it’s not a perfect situation…some sacrifices occasionally have to be made for the good of the World.  They’re just not telling anyone.  Wouldn’t want to stain their new reputations as saviours.  

I’m thrilled to be a part of the collection.  

The collection is available for pre-order now.  A limited number of the anthologies have been packed into little wooden coffins and you can pre-purchase the coffin-encased anthology at this site.  You can also order the anthology by itself too, which will be available in March.  Can’t wait to be in England pushing these little coffins on our table—it’ll be an awesome visual.  As if we’ve made little gnome coffins.  

While I’m not normally a horror writer, I just played with the idea of getting to evolve vampires.  That was fun!  Hope you enjoy it.  

Evolve is published by Edge Books, Brian Hades Publisher, and edited by Nancy Kilpatrick.

Year’s Best Fantasy and Horror Ceases, Hope in the Comments

Year's Best Fantasy and HorrorLCRW announced the end of an era. The Anthology that praised the best in Horror and Fantasy published every year has ceased after 21 volumes. Year’s Best Fantasy and Horror collected two genres together, ones that complemented each other. It was good to have the cross-pollination. There’s much sadness in the Fantasy and Horror worlds, yes, but there seems to be glimmers of hope in the Comments section which has turned into a Who’s Who of Fantasy and Horror. In these comments, Ellen Datlow reveals that she has a new publisher for the Horror side of the anthology and Kathryn Cramer, publisher of Year’s Best Fantasy, reveals they have switched publishers. It’s the “narrowly dodged the bullet” reference that Cramer makes that causes me to think that the YBF&H closing might have been a publisher decision to cut costs in the rapidly diminishing American economy* (Ellen Datlow comments below that it was a combination of things, but most importantly it was an agreed-upon decision between the editors and publisher, not a sole publisher decision. My apologies for jumping to conclusions.).

Editors and authors alike send condolences in the nearly 100 comments that follow the announcement. The anthology was a huge part of the community–a way to celebrate and honor stories that represented what was happening in that community. Award shows can be fleeting celebrations–anthologies preserve and mark the year. I felt like a family gathering in the comments for a funeral or a wake. I look forward to seeing what new incarnations will arise from these decisions. And if there is a wake for the Anthology, I hope it is a big, raucous one for all the good they have done for the community!

To purchase a copy of the last volume of work, celebrating the best of 2007, follow the links above.