2009 Yukon Writers Conference, April 3-5

scribo book cover by Kater CheekNorthern Writes is pleased to announce the 2009 Yukon Writers Conference, taking place at the Westmark Whitehorse, on April 3 through 5, 2009. The 2009 Yukon Writers Conference is an opportunity for Yukon writers to meet with and learn from six North American editors and one publisher representing a variety of genres.

The conference will include workshops, a panel discussion, individual pitch appointments and an open critique session.

The conference fee of $90 also covers an opening reception, lunches on Saturday and Sunday, and coffee breaks.

The following publisher and editors will present at the event:

Claire Eddy, Senior Editor, Tor/Forge Books, New York

Paula Eykelhof, Editor, Mira Books, Toronto

Lily Gontard, Editor, Yukon, North of Ordinary, Whitehorse

Shawna McCarthy, Editor, Realms of Fantasy and Agent, New Jersey

Lynne Missen, Executive Editor, Children’s Books, HarperCollins, Toronto

Kathleen Scheibling, Editor, Harlequin Books, Toronto

Howard White, Publisher, Harbour Publishing, Madeira Park, BC

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Registration deadlines as follows: February 28 if submitting a writing sample/proposal March 15 if not submitting Registration forms and information sheets will be available at the Whitehorse Public Library starting on February 9, or by contacting Marcelle Dubé at (867) 633-4565, mdube@northwestel.net. Please feel free to share this information.

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This conference is not to be missed if you live anywhere near the Yukon. You can’t see these people up close and personal in other venues in the States or in Canada. But here, in Whitehorse, you have a chance to talk with them personally, submit writing, receive critique, and get to know them.

I’ve said before that it was in the Yukon that I met and really got to know some amazing authors/editors from Outside. These meetings were all through conferences like this one that Barb Dunlop and Marcelle Dubé engineered.

If you believe in that Latin phrase on the book above–“I write”–then you’ll want to prepare for this conference. Have ready a manuscript by the end of February to submit to these editors. Come and join us for a chance to develop your writing and all Yukon writers.

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Photo above is from my good friend, Kater Cheek, whose amazing art can be found here at www.catherinecheek.com

The First Draft is the Hardest, or my reasons for using NaNoWriMo

Hey Potential Participants of Introduction to Novel Writing,

We all know that we can research and plan a novel to death, but that the difference between a great idea and a great novel is writing it.

I should know.

While I pumped out a novel first draft when I was 19, and finished another first draft of another novel when I was 29, I had plenty of problems along the way–especially on the second one.

When I was 17, I had a teacher in Bledsoe, Texas who taught me creative writing for the first time. She was dedicated and I was her only student–outside of the two junior high students she taught Math, English, social studies, etc, the rest of the school day. We worked on my novel. I wrote like crazy every day one summer and every week we would meet and discuss two chapters and I would give her two chapters to review. I finished that novel. It was not a pretty novel: 6 main characters who meet their 6 adult selves–so 12 main characters in a convoluted plot that would have taken a team of cave rescue people to pull a reader out of. But that’s okay. It got a finished draft.

The second novel I worked on for three or four years. I returned again and again to the first few chapters, always tinkering with them. That is, until a good friend of mine set up a system where we each turned in chapters to each other, and through her, I nearly finished that novel—only to discover that I had some major problems.

The third novel–which I haven’t mentioned–has been a wonderful idea. I wrote 52 first chapters. I got as far as chapter three, but I did have it nearly completely plotted out. I felt like there was so much more research I needed to do before I finished it. Blah, blah, blah (the excuses, you’ve heard them, you may have made them. )

Barb Dunlop, a successful romance novelist with many, many books to her credit, told me and others that the main ingredient to writing was “getting your butt in the chair” and writing. I feel like this is the MAIN point to learning how to write. It is a skill. It is a craft. But it is not about knowledge, anymore than cooking is about reading a good cookbook and memorizing recipes. It is about cooking and screwing up and throwing away what you cooked, or eating what you cooked and realizing–hmmm, I forgot salt. It is developing a skill and craft, and that can only be accomplished by doing it.

National Novel Writing Month (aka NaNoWriMo) is a tool whereby people can push out of them a novel that’s been waiting to be finished, that you’ve piddled around on for years, that you’ve researched and researched, outlined and developed. It exists as a set of notes–not a novel. NaNoWriMo–if used well–can get that novel born. The “used well” part is what I’m adding in this course: instruction on how to write a novel, planning the novel, analyzing successful novels, and creating a supportive group.

My succesful writing experiences had three things in common: a supportive person waiting for the next chapter, reading it, ready for it; very little criticism in the first draft stages; deadlines.

The first semester of Introduction to Novel Writing is a semester where you are encouraged to write your novel, given everything you need to write–tool wise–and set in front of a computer and allowed to write. The first semester is low on criticism of your first draft, high on criticism of successful novels (and some stinkers–wait till I show you the Nazi Werewolf novel I once read), and focused on method and productivity.

NEXT semester, we’ll begin workshopping your novel, if you want, and continuing to hone your craft. But you can’t really critique much in the first draft…. the first draft you must self-critique AFTER it is out of you. Because before it comes out, you don’t know what you have. You just have to write and write.

So, I ask you to come to class excited that this will be the year that you finish a complete draft of your novel. It may be ugly, broken up, unruly and wild, but it will be a finished draft and then you can see what you have. I am so proud of my broken, ugly first drafts because–in the end–I know I completed an idea and got a product. I get to choose what happens now, but at least I know what I have.

Come join us this semester and come home with your “idea” on paper!