Novelists! Classes start Monday at Yukon College

rightimg1Happy New Year to Everyone! I hope this coming new year brings you what you want.

It’s a long and interesting journey, no doubt.

Perhaps, you are looking to work on your novel? Perhaps, you have been working on one for years and you want to get some guided help through a course? Maybe, you just plunked one out in November during NaNoWriMo (National Novel Writing Month) and you want to work on revising it, or just getting feedback on it.

Yukon College is offering two courses: Monday nights for Realism/Mainstream writing and Tuesday nights for Speculative Fiction (Fantasy, Science Fiction, Horror, Fantastical Children’s Lit). The school, though, is closed till Jan 2, or Friday. So, if you’re gonna sign up and come to the first class on Monday, you’ll have to sign up on Friday or Next week. Regardless of when you sign up, come to the first classes. We have to get a viable head count to know if the classes will make. We need 8 people each class, at least, to make this happen. We’ll be working on synopsis writing and editing three chapters of your novel.

Click on Writing Classes to learn more.

Also, don’t forget that Yukon writers, in classes or not, should be getting ready for the Editor’s Weekend that is happening at the beginning of April. Six editors are coming up to talk with Yukoners, give workshops, about the next steps in publishing their manuscripts. This coincides with the last weekend of our coursework. So it makes a fitting transition after our class is done to move towards shopping a manuscript around.

So, if working on your novel is part of your planned journey for 2009, I hope to see you in class in the new year!

Writing Classes at Yukon College–Get Your Novels Out

Hey, Novelists!

For some of you Nanowrimo was a great experience–but what next??  Or some of you have an old novel kicking around in your closet.  Dust it off, get it ready.

I’m teaching two courses at Yukon College in the Winter, both of them are Fiction Writing Workshops.  You can read more about them if you click on Writing Classes up on the Menu Bar.

In brief:  Monday night is for novels that are more realistic–they don’t have magic, or time travel, or science fiction, or monsters in them.  They are set in this world, working with people as we know them.  They can be set in the past.

If you have at least 3/4 of a novel manuscript through a first draft, you are welcome to join the course.  If you don’t have that much done, that’s okay to join too, as long as you know that a majority of people will be working on novels, and that class time discussion will be focussed on longer story arcs.  People with novels are required to workshop 3 chapters over the course of the semester, comment on other people’s chapters, and with a group, present one novel to the class, one of the ones that we will be reading (we have three on the schedule), and  turning in to the class a synopsis of your novel.

The practical side is that in April you will need one synopsis and the first three chapters of your novel ready to show editors who are coming to the Yukon!!  Don’t pass up this opportunity. BIG name people are coming to look for manuscripts and help people move towards publication.  They will take our class to the next level, much farther than most could take you.  They will also take you to that next level if you AREN’T a part of the class–the Editor’s Weekend is a Yukon Wide event… (oh, it won’t be named Editor’s Weekend…I just made that up….).

Tuesday nights are for those novelists with a speculative element in their novel.  There are different considerations when you are working with speculative elements and you will want people who are familiar with those elements.  The rest of the class will be VERY similar to the Monday night group–all that’s different is that we will be working with texts that are outside of realism, even just slightly.

The courses are 16 weeks long, are the cheapest prices in any college in North America (dare anyone to beat $150 per course), and I think you will get more bang for your buck.  Workshops are good to use to get a good opinion of what to look at more closely.  Only come if you are ready to receive the opinions of 15 other readers, and to consider their thoughts on your work.

Come and Join us for a good workshop experience!  CRWR 241: Fiction Writing Workshop (Mondays–realism; Tuesdays–Speculative) Starts Jan 5 at Yukon College!

CRWR 244: Intro to Novel Writing begins Monday

Jumping into the New Dimension by Fadzly Mubin, all rights reserved

Take the Plunge!

“I just need a kick in the pants!” —You might have said that about writing a novel. You have one in you, but you never had the time or the direction to push it out. Now you do.

If you’re thinking about signing up for the Novel Writing course–then sign up soon! It’s the first time a novel writing course has been offered at Yukon College. It all begins on Monday night, Sept 8, 7-10pm.

Writing can be a lonely business, and novel writing can be daunting–but this course aims to keep you encouraged through a group of people all writing their own novels. Read more about the class on the “Writing Classes” page, and through my posts, “The First Draft is the Hardest.” Write me if you have any questions at jstueart@yahoo.com

There are no prerequisites to the class and Andrew Richardson has agreed to sign off on any students who are interested. You just need to want to write and push out a novel–but with 15 people–it will be enjoyable and we will go through all the roadblocks to writing together! We need 15 people to make the class work at optimum level–there are 7 spaces left.

*All genres of writing are welcome–however, we have a separate class for Science fiction and Fantasy writers on Tuesday nights through the City of Whitehorse, called WorldBuilders, if you want to work with other SFF writers!

Come to Yukon College and take the plunge into a novel!

ENGL 205: Literary Representations of the Natural World

Hey Folks, Andrew Richardson’s teaching a Literature course at Yukon College this semester and it sounds great. Here’s his description, with another fine photo from Amanda Graham. If you’re at all interested in writing about the natural world or enjoy books about the natural world, this class could be just what you need to introduce you to books you can hunker down with this winter.

ENGL 205: Literary Representations of the Natural World–Fall 2008

Instructor, Andrew Richardson

Ever been at a loss for words in the presence of Nature’s grandeur? Well, don’t despair: Others have found the words already!–and you can explore them. Sign up for English 205 and delve into the best writing about the natural world and humanity’s relationship to it. The course syllabus includes controversial GG Award winner Bear, by Marian Engel.

ENGL205 transfers to several universities down south. Course Website: dl1.yukoncollege.yk.ca/engl205
Prerequisite: completion of a college-level intro to literature course or instructor’s permission. Contact Yukon College for more registration information.

For more information about the course, contact Andrew Richardson directly at:

arichardson@yukoncollege.yk.ca

The First Draft is the Hardest, or my reasons for using NaNoWriMo

Hey Potential Participants of Introduction to Novel Writing,

We all know that we can research and plan a novel to death, but that the difference between a great idea and a great novel is writing it.

I should know.

While I pumped out a novel first draft when I was 19, and finished another first draft of another novel when I was 29, I had plenty of problems along the way–especially on the second one.

When I was 17, I had a teacher in Bledsoe, Texas who taught me creative writing for the first time. She was dedicated and I was her only student–outside of the two junior high students she taught Math, English, social studies, etc, the rest of the school day. We worked on my novel. I wrote like crazy every day one summer and every week we would meet and discuss two chapters and I would give her two chapters to review. I finished that novel. It was not a pretty novel: 6 main characters who meet their 6 adult selves–so 12 main characters in a convoluted plot that would have taken a team of cave rescue people to pull a reader out of. But that’s okay. It got a finished draft.

The second novel I worked on for three or four years. I returned again and again to the first few chapters, always tinkering with them. That is, until a good friend of mine set up a system where we each turned in chapters to each other, and through her, I nearly finished that novel—only to discover that I had some major problems.

The third novel–which I haven’t mentioned–has been a wonderful idea. I wrote 52 first chapters. I got as far as chapter three, but I did have it nearly completely plotted out. I felt like there was so much more research I needed to do before I finished it. Blah, blah, blah (the excuses, you’ve heard them, you may have made them. )

Barb Dunlop, a successful romance novelist with many, many books to her credit, told me and others that the main ingredient to writing was “getting your butt in the chair” and writing. I feel like this is the MAIN point to learning how to write. It is a skill. It is a craft. But it is not about knowledge, anymore than cooking is about reading a good cookbook and memorizing recipes. It is about cooking and screwing up and throwing away what you cooked, or eating what you cooked and realizing–hmmm, I forgot salt. It is developing a skill and craft, and that can only be accomplished by doing it.

National Novel Writing Month (aka NaNoWriMo) is a tool whereby people can push out of them a novel that’s been waiting to be finished, that you’ve piddled around on for years, that you’ve researched and researched, outlined and developed. It exists as a set of notes–not a novel. NaNoWriMo–if used well–can get that novel born. The “used well” part is what I’m adding in this course: instruction on how to write a novel, planning the novel, analyzing successful novels, and creating a supportive group.

My succesful writing experiences had three things in common: a supportive person waiting for the next chapter, reading it, ready for it; very little criticism in the first draft stages; deadlines.

The first semester of Introduction to Novel Writing is a semester where you are encouraged to write your novel, given everything you need to write–tool wise–and set in front of a computer and allowed to write. The first semester is low on criticism of your first draft, high on criticism of successful novels (and some stinkers–wait till I show you the Nazi Werewolf novel I once read), and focused on method and productivity.

NEXT semester, we’ll begin workshopping your novel, if you want, and continuing to hone your craft. But you can’t really critique much in the first draft…. the first draft you must self-critique AFTER it is out of you. Because before it comes out, you don’t know what you have. You just have to write and write.

So, I ask you to come to class excited that this will be the year that you finish a complete draft of your novel. It may be ugly, broken up, unruly and wild, but it will be a finished draft and then you can see what you have. I am so proud of my broken, ugly first drafts because–in the end–I know I completed an idea and got a product. I get to choose what happens now, but at least I know what I have.

Come join us this semester and come home with your “idea” on paper!

Novel Writing Course Texts for Fall 2008

In case you were wondering what we were reading for the Novel Writing course, here are a list of texts.

We have two “How to Write” books:

Plot and Structure by James Scott Bell

No Plot? No Problem by Chris Baty (to be used during the NaNoWriMo experience)

and one novel: Jurassic Park by Michael Crichton

and two texts available online:

“The Bear Went Over the Mountain”–Alice Munro, a novella that became Away from Her, the movie

The Great Gatsby by F. Scott Fitzgerald

Don’t worry about Bell’s text being from a suspense/thriller author’s point of view.  A) his points are valid and tips useful for whatever you might be writing and B) I’ll be supplementing his tips with advice from a literary standpoint too.  This class is approachable then from both a popular and literary fiction standpoint.  Storytelling is basically the same in either camp–it’s just whether you want to take a canoe down the river or shoot the rapids in a kayak.

Most of the novel/novella reading we’ll do in September and October, leaving you November to write the first draft. If you want to read ahead, feel free. The Munro piece is small, and the Fitzgerald novel is thin. But they balance out the types of novels/novellas we’re looking at closely, so that students can choose the type of novel they want to write knowing that we’ve looked closely at several types.

Please contact me at jstueart@yahoo.com if you have any questions about the course.

New Course at Yukon College in Novel Writing

Check out the new course I’m teaching at Yukon College for the Fall and Spring. If you’ve wanted to write a novel but haven’t put a first draft together then come in the Fall to write with us–we’ll be hooking up with NaNoWriMo (National Novel Writing Month) which collects thousands of people online who are all writing a novel’s first draft. If nothing else, this course will kickstart your novel writing!

If you’ve already got a first draft, join us in the Winter of 2009 for the Workshop part of the course, where we’ll be revising, editing and showing each other our chapters, writing synopses, chapter outlines, and such, all to work on the novel we’ve now got in our hands.

Just click on the Introduction to Novel Writing link above to go to the page and learn more.

Join us in September or January! We’ll be a Novel-Writing Battalion meets Support Group. Monday nights, starting in September.