What Will You Do with this Symbiont You’ve Been Given?

jadzia_dax-002Recently saw a rerun of Deep Space Nine where Jadzia Dax is reviewing a possible Trill initiate. Just to clarify: Trills have the opportunity to join with a symbiotic species which will live through many hosts. Imagine a worm that lives off you, but also provides you with the lifetimes of all its previous hosts and the knowledge it’s accumulated. There are millions of Trills, but only a few thousand of these symbiants, so there’s quite a competition for them. It’s an honor to be joined. The host’s personality and the symbiant’s personality alters when they are joined, and they become a new person. “The two become one.” But because the symbiant has lived such a long time, its personality is pretty strong as an influence, and Trills try to choose for a host a pretty strong personality who has defined themselves before joining—not someone who has no personality or desires–someone who offers nothing to the symbiant, nor to society, but who just wants to live off the symbiant (ironic).

In “Playing God” in Season Two, Jadzia finds herself reviewing a potential host. The problem is that he is eager to get the nod from her, but not to add much to a symbiant’s life. He has no passions, no plans for his life. He is living his father’s dream–not his own.

I thought about this. Here was a man who was not doing anything with his life. He was hoping that the symbiant would give him a life….

How many times do we do that in a relationship? We cancel out ourselves to make sure there is room for someone else. We stop living because we want to be “joined” with someone. We’d do anything to be “joined” including becoming what they want…. and yet we forget that we could add to the mix too.

People are fascinating. We are attracted to them because they are fascinating. Even the most “serving” personality has thoughts and dreams that happen to no one else. We all can hear the death knell on a relationship when one person tries to eliminate what makes them “them” in order to get “joined.” And we all hear wedding bells when two strong interesting individuals get together–as two strong people, bringing something to the relationship.

So, what will you do with this life you have been given? And what will you contribute to your joining? How will you contribute to the world? What are your passions? Do this, find this, before you get “joined”—-you will contribute a lot to your joining–whether it’s a marriage, a workplace, a family, a faith.

Hmmm. We forget that sometimes–we Christians. God is not here to hollow out his creation and make them clones of Jesus. He needs something to work with. That’s why you gotta be the best Trill you can be as a host for such a cool symbiant. (Oh my, I’ve surely crossed a line—Jesus as Symbiant….) But I think it works. I’ve met too many Christian young adults who are empty vessels–no personality–save worry about not doing the right thing—who are hiding who they are and I think they get this message from well-meaning folks and colleges. Hey, good men and women, God doesn’t want “you” to be a robot, a device that he manipulates, downloads His thoughts and desires—he enjoys a cool person to talk with, to “join” with.

Give him one. The more interesting, the better.

2009 Yukon Writers Conference, April 3-5

scribo book cover by Kater CheekNorthern Writes is pleased to announce the 2009 Yukon Writers Conference, taking place at the Westmark Whitehorse, on April 3 through 5, 2009. The 2009 Yukon Writers Conference is an opportunity for Yukon writers to meet with and learn from six North American editors and one publisher representing a variety of genres.

The conference will include workshops, a panel discussion, individual pitch appointments and an open critique session.

The conference fee of $90 also covers an opening reception, lunches on Saturday and Sunday, and coffee breaks.

The following publisher and editors will present at the event:

Claire Eddy, Senior Editor, Tor/Forge Books, New York

Paula Eykelhof, Editor, Mira Books, Toronto

Lily Gontard, Editor, Yukon, North of Ordinary, Whitehorse

Shawna McCarthy, Editor, Realms of Fantasy and Agent, New Jersey

Lynne Missen, Executive Editor, Children’s Books, HarperCollins, Toronto

Kathleen Scheibling, Editor, Harlequin Books, Toronto

Howard White, Publisher, Harbour Publishing, Madeira Park, BC

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Registration deadlines as follows: February 28 if submitting a writing sample/proposal March 15 if not submitting Registration forms and information sheets will be available at the Whitehorse Public Library starting on February 9, or by contacting Marcelle Dubé at (867) 633-4565, mdube@northwestel.net. Please feel free to share this information.

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This conference is not to be missed if you live anywhere near the Yukon. You can’t see these people up close and personal in other venues in the States or in Canada. But here, in Whitehorse, you have a chance to talk with them personally, submit writing, receive critique, and get to know them.

I’ve said before that it was in the Yukon that I met and really got to know some amazing authors/editors from Outside. These meetings were all through conferences like this one that Barb Dunlop and Marcelle Dubé engineered.

If you believe in that Latin phrase on the book above–“I write”–then you’ll want to prepare for this conference. Have ready a manuscript by the end of February to submit to these editors. Come and join us for a chance to develop your writing and all Yukon writers.

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Photo above is from my good friend, Kater Cheek, whose amazing art can be found here at www.catherinecheek.com

The Enchanted North: the Art of Nathalie Parenteau

Sea Otter and Volcano, Nathalie Parenteau

When I see Nathalie Parenteau’s art, it makes me feel as if I’m seeing what I would be seeing if I had enchanted glasses. I like her animals–how they run wild through the colors, and even when they stand still, their reflections run rivulets of Fantasy to the bottom of the image. I love the tenderness of Klimt between lovers in this wild kingdom; and the women who pick cranberries–I like how their hair rises; and how the moon witnesses moose, caribou, northern life; and how the red cloaks reveal so much, ravens living inside; and how the legs dribble like the edges of a dream; and the mandelas, especially the feathers of the snowy owl, how you can feel them.

If I bought as much of her art as I want, my house would unfold like a storybook.

Caribou Shimmers, by Nathalie Parenteau

I’d like to get me a pair of those glasses–look outside my windows and see what Nathalie sees. I’ve linked above to a page that sells her work. Enjoy.

Writing Advice from J.K. Rowling

I came across this nugget of writing advice from JK Rowling in an article from the Toronto Star. It’s simple, but important.

Of the “universal appeal” of her books, Rowling said, “I’ve been asked that question a lot. I’ve always found it very difficult to answer. I feel there’s an expectation that I should know what the magical formula was, but in truth I wrote what I liked reading.

“I wrote about characters I was deeply interested in.”

And that is probably the most profound writing advice you’ll get–the part we forget sometimes. Have you ever been writing along on some short story for a contest, a journal, even working on a novel, but you don’t really care about the characters? In fact, you would find them boring if you met them in real life? Or tiresome, or annoying, or bland, or one-sided, or pitiful.

It matters to your readers if you care about your characters. Sometimes, like scribbling gods, we are interested in our Plots–how we can mess up the quiet lives of our characters, or how interesting we can make their situations—but the characters may not matter as much because they are being propelled by the plot. They are riding shotgun to the plot that’s really driving. They can react, white-knuckle the door, scream, maybe even fling the door wide, but they don’t get to drive, and partly because they just aren’t as interesting as the cool plot we’ve given the keys to.

I read that article and interview with Rowling and I left thinking about my own stories, and how many of those characters–on the stories I was working on–were those I wasn’t “deeply interested” in? You could say that for short stories you only have to be mildly attracted to them–it’s a 10 page affair after all. But a novel, you might say–or even a Potter series–you’d have to be interested in the character. Yet, I think we all want memorable characters to follow as we read. As we write. In short stories and in long ones, and in series. Because if we’re interested, then readers will be too.

Time to revamp some of my characters–the ones I’m not currently deeply interested in–and find out how I make them more interesting on the page–so that even in a small story, the characters linger in a big way.