Alumni and friends of Clarion come together every summer now online to participate in a 6 week writing spree—to see what we can get written, while the new Clarionites are in San Diego (La Jolla) with professional writers teaching them how to be the writers they want to be.
Our job–as alumni and friends–is just to write alongside them at home and help raise money for Clarion’s scholarships for next year.
I’m working on two projects that need to be finished. You can help writers by donating per word to their word goals. Someone has funded me at .000010 a word already! Which will net Clarion a grand total of $40 from that person—but it helps us push ourselves to raise as much money for Clarion as we can.
I’ve written about my Clarion experience, (and Nostalgia, thy name is Clarion,) which changed my life in 2007. It started me on the road to being the science fiction/fantasy writer I wanted to be. It was also the same year I drove up to the Yukon to move there! So lots of changes at once.
Clarion has helped a lot of writers. You might recognize the names of graduates: Kim Stanley Robinson, Jeff Vandermeer, Cory Doctorow, Octavia Butler, Carmen Maria Machado, Vonda McIntyre, Kelly Link, Nalo Hopkinson, Robert Crais, Bruce Sterling… the list is long. These 2019 writers—you’re going to read their stuff soon too.
Come drop by Clarion Write-A-Thon and choose some writers to pledge along their way, help push them to meet their goals! Clarion gets all the money–actually, the students get the money through scholarships. But we get the encouragement of someone rooting us along!
I’d love to have you come by and sponsor me per word for .00001 or more or less. Come by and see what people are writing!
If you’re thinking about investing in your writing as a science fiction and fantasy writer, Clarion Science Fiction and Fantasy Writers’ Workshop in San Diego is a good deal–and your application is due MARCH 1st. Six weeks of time with other writers like you, with six amazing published writers in your field. You and your work are taken seriously there. I encourage you to investigate the options at Clarion Science Fiction and Fantasy Workshop in San Diego.
You might recognize these two intrepid writers if you live in Whitehorse! Zeb and Santana Berryman have great talent. I’ve been privileged to have been working with them now for five years! And they keep surprising me.
I met them first when I offered a Saturday science fiction/fantasy creative writing class in October 2007. They were teens…in fact, I think Santana was eleven? Incredibly well-read in science fiction and fantasy, and horror and manga, etc., this brother and sister went on to spin some novels of their own. Both of them write a novel every September in the three-day novel contest, as well as the November Novel writing month, and short stories, their own novels, and a novella with me.
Now they’ve decided to spur on their shorter works by joining up with the Write-A-Thon happening through Clarion Science Fiction and Fantasy Writing Workshop. First link there will take you to the Write-A-Thon page–where YOU can help these writers by spurring them on! They are using their writing drive to help Clarion with their Fundraising drive. Folks can click on the “Support a Writer” and will be taken to this page. There, they can click on the different teams–and Zeb and Santana are hiding in the Team Bears Discover Fire–click on show members.
You can spur them on in their writing–as well as lead them to win an iPad–by pledging a bit of money per word or per story or per whatever their writing is divided into. It doesn’t have to be more than a dollar a story! And that money goes to develop scholarships for writers to come to Clarion for the summer.
Every year the workshop invites about 18 writers to come join them and gives them real science fiction and fantasy writers working in the field to be their mentors. Those writers get individualized attention for six weeks! Six weeks, a different writer every week.
These two writers are going to be great! I have every confidence in them. I believe one day, they too might enjoy Clarion. We three are raising money for that possibility–or the possibility for someone to recieve a scholarship for Clarion some year.
Look for them on that webpage–and then look for them soon in a bookstore!
Wanna light a fire under your writer’s bum and do a good deed?
Clarion Science Fiction and Fantasy Workshop has developed the Write-a-Thon to help YOU and to help THEM.
You might be in a place in your life where you haven’t been writing much, but you wish, wish, wish, that you could–or that you had the time. What we need, rarely, is the time—we need encouragement. The time will magically appear when we feel people in our life actually WANT us to write.
So Clarion has developed teams of writers to help you reach your writing goal—AND help Clarion reach their fundraising goals.
Here’s how it works:
1. You say to yourself, I give myself permission to write for six weeks as much as I can. I don’t have to take off from work, but I will find some time–with the help of my spouse, my significant other, my parents–to cordon off even a smidgen of time a day to write.
First, sign up to write!Fill out as many of the fields as you can. It’s especially important to include a bio and excerpts. A link to your website and/or personal blog helps, too. Your name and a link to your new writer’s page will appear automatically on the Browse Writers page of the Write-a-Thon site.
Be sure to upload a recent photo of yourself. A .jpg that is a maximum of 200 pixels in width is ideal. But our software can resize it for you if necessary.
Post frequent updates everywhere. Refresh your Write-a-Thon writer’s page often with new excerpts. Post writing progress reports on your personal website, your blog, your Facebook page, and your Twitter feed. Make sure all of your efforts link to your Clarion Write-a-Thon writer’s page.
Line up your sponsors. Contact friends, family and fans to let them know you’re raising money for Clarion while nurturing your writing life. Your writer page comes complete with personalized donation buttons to make it easy for your supporters. Feel awkward about asking? Here’s a model letter to use as a starting point.
Participate as both a Writer and a Sponsor. When you support others, they’ll support you in return.
Join a team and get a mentor. Once you have $20 in donations, you’ll have the option of joining a small group of eight Write-a-Thon writers. Each group is mentored by a Clarion Workshop instructor or graduate, ready and waiting with advice and encouragement. To join a team, wait for your emailed invitation, or write to email@example.com.
Remember, there are prizes!We’re giving away iTunes, Amazon, or B&N gift cards to our top earners, along with Write-a-Thon keepsakes. And each writer who brings in $250 or more gets a free story critique from a Clarion author!
You can also earn Write-a-Thon merit badges. You can begin writing any time. But beginning on the June 24, the official start of the Write-a-Thon, we have a special treat for you. On your Write-a-Thon writer’s page, you’ll see a grid with a question mark in each square. You can earn a maximum of one merit point every 24 hours by clicking the “I WROTE TODAY” button that will soon appear near the grid. As your merit point total passes certain milestones, merit badges will appear in your grid. We’re keeping the formula secret, so you never know when a badge will appear or what it will be. It’s all part of the motivational fun. We’re also trusting you to be honest. Only click the button if you really did some writing!
See that part about “JOIN A TEAM”— that’s where I come in. I’ve volunteered to be a mentor–with advice and encouragement! My team is called TEAM BEARS DISCOVER FIRE after Terry Bisson’s story, “Bears Discover Fire.” You’re going to discover fire in this group–as I’ll encourage you to write every day. I’ll give prompts for those who want them, and encouraging little notes as we go along. You’ll be in a group of people just like you who are pushing themselves for six weeks! It’s just six weeks. I wonder what YOU could do in six weeks if you had the encouragement from family and friends to do a little writing.
MY goal is to churn out six stories—they’re trunk stories, for the most part, but I need to get them finished. And Clarion is the way to do it!
You might have a book that needs more chapters. You might have some stories that need to get out. You might have an idea that needs a story!
This Write-a-Thon is Write Up Your Alley.
Join my team and light the fire you need to get some stories and writing done.
I was sad to hear of the passing of Ray Bradbury, a giant in my life. He was 91, so he lived a good long life, and he gave us amazing writing like Something Wicked This Way Comes and Fahrenheit 451. But I will always remember him for his collections of short stories, The Illustrated Man, Martian Chronicles, R is for Rocket, S is for Space, Medicine for Melancholy, and others. They fueled my imagination–as I’m sure they did many people. But I can truthfully say that Ray Bradbury–with his lyrical writing, his vivid description and interesting stories–shaped me as a writer. I heard he was one of those bridge writers–the ones that transcended genre. But that didn’t matter. What mattered was that he took me places, expanded my imagination, urged me to tell stories.
We met once.
I was in Lubbock, working, I think, on my last year at a degree at Wayland Baptist University. It was 1992. Ray was speaking at a Young Author’s conference, but also as a public speaker. I was there to meet my hero. I brought a copy of Martian Chronicles with me, and the picture of him in the paper.
He talked about his time working for the Smithsonian, designing famous garages of inventors; his work on the Moby Dick screenplay for John Huston. He didn’t talk much about making science fiction… but I was rapt nonetheless. This man had produced so much. His imagination was so vivid.
Afterwards, there was of course a line up to get signatures. Ray sat behind a small table, and I worked my way up to him. While I was still a couple of people away, a woman came out of nowhere and jumped the line–with a stack of ten books, all open to the front page. These she plunked down in front of Ray, saying “These won’t take you but a minute.” Then she grabbed him by the shoulders and turned him sideways so her daughter could snap a picture. I think Ray was a bit miffed–a whole line of people trailed out in front of him.
After quickly signing all her books, while she babbled, he turned back to the line with a huge amount of graciousness for our patience. When I got up there, I put my newspaper and book in front of him, and said, “You’re the reason I started writing.”
He looked up. “Are you sending stuff out?”
“Well, I’m trying to…I mean…” I stammered. I wasn’t a very confident writer in 1992, with no sales to my name, but thirty bad stories completed and sitting around somewhere.
“You have to send them out. Send one out a week. That’s what I did. I wrote one story a week–started on Sunday and mailed it on Saturday. I did this for years. That way I had 52 stories in the mail and some of them had to sell!”
He laughed. He shook my hand. I assured him I would do that. I didn’t keep that promise. I went on to college, studied writing, but never writing one story a week–until I got to Clarion Writing Workshop and had to write one story a week–(I got five out of six weeks!)
That day back in 1992 I felt blessed by Ray Bradbury. My hero took time with me, gave me advice. Perhaps he was fueled by the woman who had taken the time he wanted to give us–maybe he felt an extra special need to be encouraging to me. I don’t know, but I’ll never forget it.
Bless you, Ray Bradbury. Bless you for blessing me that day. And bless you for all the wonderful stories and novels and essays you left us. And how you crafted magic out of an ordinary day.
Announcing the 2011 Clarion Science Fiction and Fantasy Writers’ Workshop @ UC San Diego
June 26 to August 6, 2011
Clarion is widely recognized as a premier training ground for aspiring writers of fantasy and science fiction short stories.
The 2011 writers in residence are
Nina Kiriki Hoffman John Scalzi
Elizabeth Bear David Anthony Durham
John Kessel Kij Johnson
Since its inception in 1968, Clarion has been known as the “boot camp” for writers of speculative fiction. Each year 18-20 students, ranging in age from late teens to those in mid-career, are selected from applicants who have the potential for highly successful writing careers. Students are expected to write several new short stories during the six-week workshop, and to give and receive constructive criticism. Instructors and students reside together in campus apartments throughout the intensive six-week program.
The application period for the 2011 workshop is December 1 – March 1. Applicants must submit two short stories with their application. Scholarships are available. Additional information can be found at http://clarion.ucsd.edu.
See my Page on CLARION 2011 for more info on what a Clarion can do for you.
Personally, I have to say that the chance to work with Kij Johnson would be enough to make me put on a disguise and go again, though, like Narnia, former Clarion grads can’t go home again…. Kij’s story, “26 Monkeys, Also the Abyss” won the World Fantasy award and was on the final ballot for both the Nebula and the Hugo. It’s an AMAZING story and just the kind of story I hope to write when I grow up.
The Link to My Writer’s Page lets you know what I’ll be doing for six weeks, and encourages you to donate a bit of money–maybe per day, per word, or just a small sum ($20, $50, $100) in total. All proceeds go to Clarion for scholarships, helping more people like me get to attend. Most of us who attend a six week workshop make sacrifices to be there, and certainly the costs can be high to spend six weeks anywhere in the world (even my apartment is $1050 just in rent for six weeks), but the benefit each student receives from that time is ginormous.
Each Student gets:
individual instruction from 6 major writers in the field
connections to agents, publishers, editors
advice on how to create a writerly business
a cohort, band of writers that encourages during the long haul
a lifetime of mentoring
six weeks of time free to write, concentrate on their art
It’s very difficult to shave off time for writing, and this six weeks is a huge jumpstart. I have sold 4 out of the 5 stories I wrote for Clarion, and frequently I take out that notebook that I kept during Clarion to record what the teachers/writers said, and I go through it again. You can’t GET this kind of instruction anywhere else but with publishing writers, established in their fields.
If you have trouble imagining what this would be like (maybe you don’t write science fiction), imagine a workshop of six weeks where each week you got to spend with these people: Margaret Atwood, Michael Chabon, John Updike, John Irving, Kazuo Ishiguro and Alice Munro. And then editors from Harper Collins, Random House, etc came by to chat with you and take your pitches, and agents came by, and you went to a giant convention where all the big writers hung out. You got to eat and drink with people who were doing your career— like job-shadowing, except they became your friends–for SIX WEEKS. It’s just like that but with the big names of Science Fiction and Fantasy!
In the Golden Age of Science Fiction, a writer learned by joining up with a pulp magazine and writing stories every week to push into those magazines–they trained with writers around them, doing the same thing, encouraging each other.
Nowadays, we’re all trying to get stories into those “pulp” magazines, Asimov’s, Fantasy and Science Fiction, Realms of Fantasy–but we’re not in a room full of other writers writing together–we’re strung out across the world. The only places we get that kind of training are these workshops–they stand in for the kind of on-the-job writing/training you would get at a magazine. The intensity is the same. I think the quality is higher. But without Clarions, writers wouldn’t have that avenue for training, and many who might not figure out how to write for the magazines, or their novels by osmosis, wouldn’t get published.
For the six weeks, I will be working on chapters of my first novel, chapters a publisher is expecting and has asked for.