When the Pilgrims Met the Borg: Faith, Perfection and the Assimilated Pilgrim

As written by William Bradford, 1620, original pilgrim on the Mayflower, original settler of Plymouth Plantation, after the strange ordeals on the Atlantic Ocean on the way to the New World.  This account is accurate to the best of the ability of the author, William Bradford, and notes the first instance of the Borg in Sector 001.  Though William Bradford is aboard the ship, the reader should note that his record is of the Pilgrims, and notes their struggles, their accomplishments, in a third person, collective account.  

There be no assurances in the ways and means of the Almighty God.  That He is there to keep and to guide, we may be comforted, but that His methods and ways be strange, there be only the righteous account and evidence of the men and the women of the Mayflower on her journey to the New World.

When they left yon Dutch colonies, they were bound in one ship, leaving the leaky Speedwell back in port, combining the crews of the Separatists, God’s chosen, and the non-separatists, also God’s chosen, to help in the design and building and maintaining of the new colony.  There be fifty men and women of God, and fifty merchant adventurers.  It was crowded on the ship, and the seas rose and fell with the mercy of God.  But to the blessings of God they account that none of the hundred pilgrims, for that is what they called themselves, were in pain, or in hunger, or in distress.  All worshipped the Almighty, even as they tumbled and plunged on yon sea.

On the 43rd day of their voyage, the scout above in the mast spotted a floating island, shining in the sun, and this island he claimed was land, and their ship sailed towards it.  The closer they came, the more curious the island became.  It was not land as they knew it, but shined in the sun like gold, and the merchant adventurers were vastly curious of what created composition the Lord had made it.  Others believed, however, that it was a bad sign, a false hope, a distraction from the simple quest of the new colonists, a task given to them in purity and hope and vision.

They did not know that the island was actually another ship, one perhaps capsized by the sea, whose inhabitants the good Lord had proclaimed should drown, for He saves whom He desires to save, and does not save those that are unworthy.  And yet, they sailed closer.  The ship, for now they knew it must be a ship, was twice as large as the Mayflower, capsized in the sea.  Some of the adventurers said it had been forged of strange metal, for the base of the ship, that above the water, was curved like a perfect sphere, and the rods and cross-hatches of the metal formed a metal bowl, with the doors and the windows, and other shadowy recesses.

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Ten Ways To (Seriously) Improve Your Writing (via Broadside)

An awesome post for writers who are at any stage in the game–but especially those who want to take it seriously. Her advice for dealing with rejection, listening to feedback, and doing things to improve yourself, really ring true to me. Maybe they will for you too.

Ten Ways To (Seriously) Improve Your Writing It’s commonly said, (among writers who do it for their living), that blood to a surgeon is like rejection to a writer — a necessary part of every day’s work. Whether a surgeon likes blood is irrelevant. Do professional writers — and ambitious amateurs — enjoy rejection? Irrelevant. It’s not a game for d … Read More

via Broadside

Tesseracts 15: Young Adult Science Fiction, Fantasy and Horror

 

 

Tesseracts 15 is open for submissions with a call for young adult science fiction, fantasy and horror.  NOVEMBER 30 is the deadline.  Below is the call.  

NOW OPEN FOR SUBMISSIONS

(Calgary, Alberta) EDGE Science Fiction and Fantasy Publishing is delighted to announce that Tesseracts Fifteen: A Case of Quite Curious Tales, is now open for submissions.

Submissions open September 1, 2010 thru November 30, 2010.

This edition of the award winning series of original Canadian Speculative Fiction comes with a twist and touch of whimsy.

“We’ve decided to do something different with Tesseracts Fifteen.” said Brian Hades, owner of the EDGE Science Fiction and Fantasy Publishing imprint. “This volume will focus on Young Adult Speculative Fiction – which can include science fiction, fantasy, and horror. However submissions must appeal to the YA audience and be PG-14 in content. As usual, Tesseracts Fifteen is open to both short fiction and poetry submissions.”

Each Tesseracts anthology since volume one (1985) has featured editors hand picked for each particular volume. For this volume,Julie Czerneda and Susan MacGregor have agreed to co-edit.

“We seek wonder and astonishment.” said the editors. “Stories that engage the imagination, inspire dreams, and leave hope in their wake.” Both Czerneda and MacGregor want all Canadian speculative fiction writers to “write what will become the classics for a new generation of readers, to be remembered, fondly, for years to come.”

 

SUBMISSION DETAILS:

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Science Fiction and Fantasy Writing Class for Young Writers: FH COLLINS, WEDNESDAYS

Our very popular science fiction and fantasy writing class–aimed for 11-18 year old writers–is happening again at FH COLLINS, on Wednesdays.  This year we’re concentrating on helping everyone get something finished by Christmas.  Many of them are doing their own novels, but want to explore shorter fiction.  We have writers who enjoy historical fantasy, dark fantasy and comedy, hard science fiction, comedic horror, urban fantasy, and just plain I-don’t-know-what-it-is-but-I’m-sure-it’s-probably-fantasy….  

These are some of the coolest kids I know; very smart, well-read, and ready to explore some of the more mundane aspects of fantasy writing this year: making the fantasy more real.  So we’re gonna have a lot of time spent on developing characters, description, scenes where there’s no “action” going on, and other stuff.  

We meet afterschool–around 3:30 in the FH COLLINS LIBRARY till 5:00.  We’re being sponsored by the City of Whitehorse.  If you’re interested, contact me here–at jstueart@yahoo.com and I’ll get you set up with the City.  Cost is $85 for 13 weeks of instruction, which include, of course, SNACKS.  (We know that proper fantasy and science fiction can only be written with food….and we try to make it healthy–fruits, crackers, cheese, nutri-grain bars, etc.  Bring your own drink)

We’ve done a lot together in our three years here—and the students are always looking to find new people to bring into the group.  Come join us and be a part of a strong writing group that can read and enjoy your science fiction or fantasy.  

The class is taught by me: I have a PhD in English with a specialty in Creative Writing, and am a veteran of the bootcamp for science fiction and fantasy writers, Clarion Writers Workshop, makers of many good writers.  I enjoy the enthusiasm of these young writers.  (This is not a class for adults, but we do have a group for adults, as well, that will be meeting Tuesday nights. )

Is Star Trek Reckoning Real?

This question “Is Star Trek Reckoning Real?” was googled by someone and led to my website.   There’s really another question that’s implicit, I think and that is “Would the Creators Really Want to Screw Up Star Trek by letting Conservatives wreak havoc in the Star Trek Universe?”  

Yes.

We love it when our favorite stories take a turn for the worse–where our complacency is shaken, our values are threatened, adversity gets the upper hand, only to show us how much we truly have taken things for granted.  

Fiction is all about making it bad for your heroes.  And making them fight hard–because it gives us strength to fight hard.

We need to see a few seasons where the “good” of Star Trek has to fight to regain balance.  The Federation has gotten the upper hand.  Chances with Enterprise were lost to play with a universe without the Federation.  Oh, in Star Trek series, we had a few episodes from the Mirror Universe, but even that slowly spoiled because each episode in the  Mirror Universe actually redeemed a character or two who were going to be pivotal in turning the “dark” parts–the disorder– to order once again.  And then the mirror universe would be just like us…ho hum.  What if we lingered in that disorder?  This is what Reckoning explores.

Oh there have been times when good guys rebel against the Federation.  Why is it that the “good” Star Trek characters sneak around and are able to commandeer vessels (Kirk, Scotty, Picard), disobey orders (everyone), grab things they aren’t supposed to have (Chakotay, Riker, Janeway) and go off and do something illegal for a greater good (which no one in the Federation knows about)?  Why is Starfleet so easy to outwit?

The “order” in Star Trek relies on the shared concept of the “honor system”— but when good characters want to steal things, disobey, etc. they seem to be able to do it because no one in Star Trek is ready for that.  And secondly, because the plot calls for it.  We need Janeway to steal the time machine doo-hickey, or Kirk to steal the Enterprise….  because otherwise we don’t have an episode.  

Fergus, the D’Mi, the whole grouping of conservative captains who no longer have faith in the Federation’s president–who see themselves as vigilantes, or martyrs, or heroes—determined to save the Universe, or their values, at any cost— these people are interesting.  Villains are far more interesting, at times, than heroes who can be painted too “good.”   Next Generation characters weren’t very complex, or if they were unstable, they were restored by episode’s end (except DS9–which was by far the riskiest ST)  Star Trek hit the reset button every episode (or at the very least, at the end of every two -parter).  Star Trek, by JJ Abrams, did us a favor and did not hit the reset button, thank God.  

Now we have a series that shows that the “values” of Star Trek can be hijacked by well-meaning people who believe they are on a mission.  I think this is a logical next step for Star Trek.  Reckoning will show how easy it is to believe what you have been told, it would give a believable “other side” to all the issues.  Instead of showing us what is right by demonstration— it would show us what is right by having to fight for it, and failing.  

Captains modeled on Palin, Gingrich, Limbaugh, Beck would be interesting–if only to see what they would do with something like the Federation.  How would they operate within it?  When would they dismantle it?  When would they circumvent it?  Would the Federation be able to squelch them?  The Maquis was a great subplot, and I wish they had done more there… certainly Tom Riker (one of my favorite characters) would have been interesting to follow.  But the Maquis had one goal–not a whole different ideology.  I want to see that people in the Federation don’t all think alike….  they don’t all get along.  

Think of what happened to the West Wing when the Republicans got in power….  

So, creators of Star Trek, when will we have a Reckoning?  When will we see what we loved threatened? Will you create people who will fight to re-balance it?  In the same vein as BSG—a show that allowed characters to be less than perfect, and which allowed the bad guys to have the upper hand–can you show us a universe where it will take us seven seasons to get it back on track again?  

Please, finally, let the Dragon out and let us see what the Federation will do!  🙂

Is Star Trek Reckoning for real or not?  Confirm this series.

Harry Potter Diary: Outside the Demographic Looking Inside Hogwarts

I decided to read the Harry Potter Series this summer, for the first time.  After 10 billion people were happily served by the boy wizard and his pals, after the series was put to rest by JK Rowling years ago, and just as the film franchise explodes to a close, I decided to read the books.

Some questions immediately pop to mind: Why didn’t I read the books years ago?  

1.  I’m not a fad kind of guy, so having millions of people read the books actually made me feel less like becoming part of the phenomenon.  

2.  I actually loved the movies.  I did read HP 2 after the first movie came out, and before the second movie.  And loved it.  But when I watched the film, I was terribly disappointed that a whole mess of story was eliminated as if it didn’t count.  I vowed then and there to see the movies first, and then I would read the books to add in parts that the movies had left out.  This is actually a decent strategy.  

And why now??

Well, the end of the era is around the corner…. by summer 2011, the films will be done.  But I think it’s more because I really want to read the books.  I want to see how Rowling built the arcs, how she developed series characters, and how she managed to maintain the hook for so long.  It’s okay to admire the books on a “how are they written?” sort of way.  

I want the magic too.  Even though, now, I know at least where the movies have taken me.  Now I want to see where the books take me.  

I’m not the demographic JK Rowling was aiming for.  Her 9-17 age bracket probably resonated with the idea that children can have power too; that magic exists under adult noses; that the world doesn’t have to be like their parents told them it would be–office buildings, stock markets and 2 hour commutes.  

So what would a 41 year old, single, gay writer and English teacher living in the Yukon Territory–with no children– get from reading the Harry Potter series–besides how to create a blockbuster series?  It’s a good question to think about.  How does a book transcend its ideal market, appeal across the board to adults and children alike?  What will be the pull of the series for me?  (I already loved the movies—but why.)  

I’m keeping a Harry Potter Diary as I go to ponder things about the series along the way.   Just reactions to, thoughts about, resonances with the series.  

There’s a spot at Hogwarts for me–and I’m going to find it.

“The Song of Sasquatch” up at Joyland

“The Song of Sasquatch,”my poem/story of bigfoot romance in the style of Song of Solomon, is up at Joyland: a hub for short fiction.  Joyland is unique as an online fiction magazine. It has editors associated with a certain geographical place and all the stories come from writers associated with that place. Occasionally, editor Kevin Chong says, they like to pull a few writers from outside.  Thanks, Kevin, for pulling me in!  Enjoy!

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Flash Fiction Challenge: Inhuman

INHUMAN:  Absolute Xpress, owned by Edge Books (the makers and owners of the Tesseracts series of science fiction and fantasy anthologies), have announced their fourth flash fiction challenge:  1000 words on what humans are like from a non-earth based, non-human perspective.  The title of the anthology is called “Inhuman” and details are here

In their words:

The Theme: InHuman

There are other beings out there. Demons, fae, aliens, robots and more. Creatures that have been watching us for a long time. They know us. For this challenge, write from the point of view of something “Inhuman”; an exterior point of view that is able to see what it really means to be Human.

You now have 6 weeks to answer this challenge. Flex your fingers and get typing. This challenge closes on May 15th at Midnight Pacific Standard Time (PST). For more details on how to submit check out the Flash Fiction Challenge page.

So what are we really looking for?

We want you to write from the point of view of a sentient, intelligent life form (no earth-based animals please (pets, birds, fish, etc.)). Perhaps they have been impacted by humanity, or visa versa. Or maybe they’ve been watching us from a distance. The big thing is that who ever these beings are, they have an insight into what it means to be human. This perspective is the key thing to highlight in your stories. It doesn’t have to be profound but these inhuman persons should notice something about what makes humanity human.

 

1000 words, one week left.  You can do it.

My Story, “Et Tu Bruté,” Makes the Longlist for the GEIST Postcard Story Contest

My story, “Et Tu Bruté,” was just chosen to be on the longlist of finalists for the GEIST magazine Postcard Story Contest.  Out of over 500 entries across Canada, they choose 15 stories for readers to read through and make comments about and vote on.  And then they choose winners.  Thank you, GEIST, for the exposure!  It’s a prize in itself to be on their website and to have my work being read.

So, go by the site, give the story a read.  Keep Brutus company.

UPDATE:  The site for “Et Tu Bruté” was retired, so I brought him home to my site.  So, while you can’t read it at Geist, you can read it at the new link above.

For more postcard stories, Geist is a wonderful spot.

 

Mac’s Fireweed signing of EVOLVE, Canadian Vampire Anthology, Friday, 4-6pm

I’ll be at Mac’s Fireweed, Friday April 23rd from 4-6pm signing copies of EVOLVE: Vampire stories of the new undead–an anthology edited by Nancy Kilpatrick, where I have a story, “How Magnificent is the Universal Donor.”  It’s all-Canadian (or in my case, landed immigrant), all vampire and the theme is the evolution of vampires.  As far as I know, this has never been done.  Shaking up the old rules.  These are new kinds of vampires.

Come and find out how vampires have evolved and what they’ve become.  Or just come and say hi.  I’ll be behind a lonely desk, and will want company.  

This is the YUKON launch of the book–and we’re planning a reading in Tagish–sometime soon.  It’s been launched now in Brighton, UK at the World Horror Convention in front of other horror writers; it’s been launched in Toronto in front of fantasy, science fiction and horror enthusiasts; and it’s being launched in Winnipeg, Montreal and Vancouver as well.  

YUKON launch: Mac’s Fireweed, 4-6pm, Friday, April 23rd.  

See Reviews here at Innsmouth Free Press

Bitten by Books

Blog with Bite

Scifiguy.ca

The Librarian’s News Wire–an interview with Nancy Kilpatrick, editor