Red State America Wants Their Star Trek Series ‘Rough and Tumble’

A recent poll of Red State America, conservatives who either vote GOP or TEA, has confirmed the excitement that producers of the new Star Trek Series, Star Trek: Reckoning, hoped would be there.  The poll also scared the socks off them, one insider says.  The poll–pondering the success of a Star Trek run by conservatives, with the real, honest to gosh, Sarah Palin playing Captain Nalia Fergus of the USS Steadfast–garnered a stunning 76% of TV viewers.  These are viewers who may not have ever watched a Star Trek Series in their lives—they wouldn’t know a Klingon from a Ferengi, but they know Sarah Palin and they remember Captain Kirk.  And somewhere that all makes sense with them.

Shawn Gust, The Coeur d'Alene Press/APRarely have TV shows done polls before they even start filming the series, but producers of ST: RECK, as it’s being called, wanted to be sure where they were going.  “We didn’t want to wait for a Nielsen Rating confirmation.  We needed to know who was out there.”  Understand, they only polled Conservatives.  All us liberal, compassionate Democrats have not been polled.  They’re assuming that any Star Trek series will be embraced by the fans.  (So soon forgetting Enterprise?)

Our insider, though, has gone on to reveal to us what else the Poll says–and this is what scared producers:   Those conservatives polled wanted to dismantle the Exploration side of the Federation, get rid of the Prime Directive, and see a healthier number of “Americans” on board the ships.  Follow up questions revealed that by “Americans,” conservatives meant “white people”.  Most didn’t know that Sisko or Uhura or Tuvok were black, or that Sulu or Kim were Asian.  When told, many reported that “those people” could stay, but new ships should reflect more of a “middle America” profile.  

“They definitely wanted us to put Montana in space…,” said one of the writers.  

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Palin Loves (to shoot) Mama Grizzlies, and Star Trek Parallels

Writers are scrambling to capture and transform opportunities as they arise for developing Sarah Palin’s Star Trek role.  She provides them every day with new fodder and storylines that enhance a brilliantly conceived new series, and new direction, for the Star Trek franchise.  

Because of my writer contacts with the new series, I get leaks now and again and this is straight from the writer’s War Room (as they call it).  The first scripts for Star Trek: Reckoning, the new Star Trek series coming from Fox/Paramount this Fall, feature Captain Nalia Fergus (Sarah Palin) of the USS Steadfast, and a CGI-created polar bear first officer, Commander Nuuk.  As I’ve mentioned in a previous blogpost, the polar bear doesn’t realize that Fergus used to hunt bears like him for sport.  

I’m not allowed to put any of the script online for copyright reasons, but the episode entitled “Ain’t No Love for Mama Grizzlies” has the Steadfast‘s Captain and First Officer in a holodeck hunt of each other, and both of them have guns!  I kid you not.  

Here’s the breakdown.  Fergus, in a bid to coerce women of the Federation to rise up and reject the Betazed President of the Federation, and his stubbornly peaceful policies, has issued a statement, using the image of her first officer, Nuuk, as an example of the kind of “bear” she is, the kind of “mama grizzly” she believes all conservative women are.  

When Nuuk receives a message from enemies of Fergus–pictures of her with the skins of bears, hunting bears, when the facts start rolling in about how she really feels about bears–the Truth about Fergus’ relationship to Grizzlies, bears and other wildlife: she’d originally been part of a group that wanted to offer hunts, and drill for oil, on Nuuk’s own planet–for her own profit!–completely against the Federation’s Planetary Protection Act on Class L planet, Arctos 3– well, let’s say he’s not pleased.  The fact that she’s using his image–an image she’d thought of more as throw rug than sentience–to promote her cause (even if it is to protect the Federation from the Reckoning) is more than he can handle, and he lures her to the Holodeck for a showdown.  

Well, you can’t shoot your captain, and you can’t shoot your first officer— just not in the Star Trek rulebook.  What Fergus doesn’t know is that Nuuk has sympathetic friends in Starfleet, and the episode hints that he may even be a counterspy on the Steadfast, working for the Federation to keep an eye on Fergus.  While he distracts Fergus on the “hunt,” information about Fergus’ real feelings and real decisions about conservative women get sent to Federation media outlets.  

Her record on supporting women before she needed them to topple the President, pretty shabby,  and those she supported didn’t support women any better,   and finally, as the truth comes out about Nalia Fergus, then some of the strongest women of the Federation start speaking out against her.  It’s really shocking how pliant, gullible and weak she thinks women are.  That if she just projects an image of women rising up and supporting her–because she called out their name and flattered them–that they will create that uprising themselves, and forget all the ways she’s actually denigrated women.  (I’m really hoping that they bring back Captain Janeway to speak for Emily’s List–now there was a great female captain!)

This all happens during the Holodeck hunt–to keep Fergus from defending herself and allow the word to get out.  Unfortunately, giving away the ending of the episode–SPOILER–Nuuk is tranquilized, and put in the brig for several episodes.  But, this episode ends with the truth coming out, at least in a small way about Nalia Fergus and her movement.  Writers tell me this is episode 4 or 5 of the series.  

What I find so fascinating about Fergus’ character is her distorted belief in herself as saviour–and yet, I can’t help but believe that there’s a grab for power in there somewhere too.  That it’s very little about saving the Federation, and more about using the Reckoning–this dream of disaster–as a way to wrench power and control away from the Federation through fear.  Such a master at projection, Nalia Fergus may actually bring on the very Reckoning she claims to be saving the Federation from.  

Writers praise Palin:  “As a writer on the show, I can’t say how much I’m thankful for Sarah Palin’s assistance in helping us flesh out this character.  Every day, we’re all watching her Twitter, and reading every statement she puts out.  We sit around the War Room and translate that–nearly verbatim–into a Star Trek episode.  She’s a gift to the series.”  

I find this show completely fascinating—and it hasn’t even been broadcast!   Who’da thought that a conservative take on Star Trek would provide so many compelling storylines?  

— on a different note, the start date for the series has been moved back to October because of Sarah Palin speaking engagements piling up this summer.  She’s still filming when she can, I’ve heard, but she’s a woman on the move, a “pink elephant” parading* across the stages she’s set in America, and the Series just has to wait her out.  

Oddly, Palin’s conjuring up women as “pink elephants” refers back to the drunken stupor that Dumbo experiences in the Disney movie, “Dumbo”–is she saying that women marching on Washington is an alcohol-induced halucination?   Hmmm.  Well, in honor of Palin’s reference to “pink elephants”  I give you the original song that was, frankly, frightening for kids back when Dumbo showed in theatres.  

As previously noted, this is a parody.

Palin cites New Star Trek Series in Gun Rights Decision: “Everyone Had a Phaser”

Star Trek is enough reason for justifying the Supreme Court decision today, according to once VP nominee Sarah Palin.  Poised to become the new captain of the USS Steadfast (in UPN and Fox’s new Star Trek Series–see past entries here and here), Palin gave a speech today where she cited as precedent the popular science fiction series, aired between 1966-1969.  “Sidearms protected everyone.  Everyone had a phaser.  This is the future.  So, we thank the judges for remembering not only where we’ve been but where we’re heading,” she said today outside her Alaska home.  She showed the crowd her own handgun, which she claims has stopped fourteen robberies, six alone by her next door neighbor, writer Joe McGinniss.

Palin excited the gun rights lobby (which is near frothing already for Palin) by endorsing the Supreme Court decision and by linking it to popular culture.  Seventeen unidentified men and women held up their iPhone 4s after having googled “shooting death” to show how many gun death entries are in the news for just today, June 28th.   “Those really effective background checks keep guns out of the hands of crazy people!” one of them shouted at Palin’s abrupt press conference.  [The Brady Campaign to Prevent Gun Violence, an advocate for sensible gun laws, cite more than 100,000 people a year are the victims of a shooting]

Palin countered, “If it’s good enough for Star Trek, it’s good enough for the country that will be Star Trek one day.  After all, these are Americans in space.”

Bloggers have tried to explain the Federation of Planets to Ms. Palin (as she’s about to become a captain on the new series).   She twitters politely, “All captains of the series were American, everyone spoke English, and the military was in charge of ‘exploration.’  This makes it an American ship in space.  How much more American can you get than U.S.S.?”

The writers, once thrilled at writing the conservative adventures of rogue captains, were shocked at Ms. Palin’s link-up between Roddenberry’s vision of peace and her own gun-toting agenda.  “She’s obviously not familiar with the ‘Yesterday’s Enterprise’ alternate timeline.  Sidearms on the bridge crew were a sign that things had gone bad—not good.”

Palin is certainly a rogue Trek actor for the writers.  She has cajoled the writers into scripting outright sedition on the bridge.  “This is how real, honest people would talk if their President was a weak-kneed, educated liberal facing this kind of disaster.”  She refers to the Reckoning–that portentious, ominous, apocalyptic thing hurtling towards Earth–that is the tension backbone of the new series, Star Trek: Reckoning.

Writers have committed to one season.  My inside man in this writing group says, “I don’t think the fans could sustain the series past one season.  Just seeing how a conservative rogue group would f**k up the whole Federation would make them cry out for the Reckoning just to clean house.”

Another writer says, “We’re treating it as comedy.  And the best thing is that Sarah [Palin] is taking it dead seriously.”

The team of producers and the director, Chris Berman, want it that way.  “I think Palin, Gingrich, Cheney, Limbaugh–they’ll be able to pull it off because they believe in their beliefs so much.  It won’t even have to be acting.  And yeah, I agree with the sentiment of the writers— fans will be torn between which is worse for the Federation–conservatives or a giant meteor, wave, whatever coming to wipe out human civilization.  Both alternatives wipe out civilization.  It’s really the lady or the tiger, isn’t it?”

About the Trek reference in today’s speech, Berman says, “Any reference to Trek in popular culture helps the show.  When we air this series, Palin and the others will have done a huge favor to us by just being themselves and by mentioning the series.  We’re trying to give them as much creative control in this as possible.  Since we know nothing about what conservatives would actually DO with a starship, we’re learning from them how to go about creating these characters.  We’re looking at this as a cultural and creative exchange.”

He added, “Nothing is more alien to us than the Tea Party.”

Note: all content is intended as parody.  That said, Star Trek: Reckoning would be very interesting indeed.  References to Joe McGinniss in no way implies he is guilty of robbery, only implying that Sarah Palin would think he was.  

For NY Times editorial on how wrong the courts were.  

Gingrich cast as dreaming D’mi in new Star Trek Series

As a follow up to my last post about Star Trek: Reckoning, the hot, new, nearly top-secret co-produced ST series from Paramount and Fox, none other than Newt Gingrich has come aboard!  It’s very rare for working politicians to take time out to create good television for honest folks in the Midwest and the Plains, but it looks like Sarah Palin and Newt Gingrich will be on board.  

From my insider at Paramount, “The producers had actually wanted an actor, at first.  Sarah Palin’s the one who pushed the idea of Newt, saying in effect, that he ‘has the chops’.”  

I have to say, it’s an inspired choice.  Not an actor, but a politician—those are close, so I can see Paramount going for that.  But Gingrich is, shall we say, kind of from another era.  Most popular from the 90s and the man who brought us the doomed “Contract with America” and subsequently hijacked the presidency of Bill Clinton.  Now, I remember that.  But I don’t think most people actually remember Newt Gingrich, so it might not be a problem.  They won’t confuse his character with any thing of substance he might have done in the past.

Sometimes actors on Star Trek have such long-standing previous sci-fi characters (I’m looking at you Scott Bakula) that viewers can’t see them as something new.  I know this hindered my viewing of ST:Enterprise—kept waiting for Al to pop in (although watching Dean Stockwell in BSG, i completely forget he was ever Al on QL).  So, it may be that no one actually remembers anything important that Gingrich did, allowing him to kind of slip into this role and establish himself anew.  I mean, did anything he did really amount to much?  So that might allow him to start over as a character!

Just to recap: Palin will play Capt. Nalia Fergus of the USS Steadfast; she’s part of a group of rogue commanders who believe the dream prediction of the D’mi, that “the Reckoning”  will destroy the Federation.  Seeing a Federation President they don’t trust, nor believe he can protect everyone, they form an alliance to counter the Reckoning before it happens.  

Gingrich will play the D’mi (unnamed as of April 8) on-board the Steadfast, who lives in two worlds at the same time.  One is the dream and one is reality.  He is constantly unsure which reality he is living in.

“Which makes Gingrich perfect,” my writer friend at Paramount said, “He has a bit of experience nowadays with living in both fantasy and reality.”  He’s referring, of course, to Gingrich’s latest gaffe, putting words in Obama’s mouth that he never said.  Gingrich’s character will try to give advice to Capt Fergus (Palin) about how to avoid the Reckoning.  But he rarely ever sleeps—sleeping triggers the shift to the other reality–and so when he sleeps in one reality, he awakens in the other.

A great tension that the writers are building in is that he will begin to give information that proves false—about halfway through Season One.  He will claim that something Fergus has done has altered the future so that a “certain” event won’t happen the same, but in effect, there’s an idea that he really doesn’t know what he’s talking about.  I don’t even think that he knows that he lies; he’s a bit overwhelmed by the attention, by the focus, and by his power to direct Fergus, and the ships that follow her.  

I’m excited by this new Series.  I asked my friend why Paramount is delaying the formal announcement of Star Trek: Reckoning.  I’ve already had several people ask me when there will be more confirmed reports–and several people are searching on google for it.  

He says, “They’re testing the market right now, seeing what Red State America thinks about the idea.  They’ve never done a conservative focused Star Trek like this before.  They don’t know if they’ll have the audience.  But they’re basing it off of O’Reilly and Beck, Hannity and Coulter, and the current Tea Party constituency.  They figure people are tired of the way things have been done–and in that way, might be tired of Star Trek the old way—and want to see an overthrow, a rebellion—at least in science fiction, if they can’t have it in fact.”

I wonder if TV can play on that desire, that hope, of a people to want change so badly that they will accept the fictionalized version.  

“Well, you’ve seen The West Wing?  That was a George W. Bush era show–don’t tell me that wasn’t fantasy aimed at folks who wanted change!”  

He has a point.  

What I’m really interested in is this:  if the rogue group actually overthrows the Federation, will they make it more vulnerable to everyone else?  Will they make alliances with the Romulans?  The Borg?  Or will they naively think they can do better?  Fergus isn’t a seasoned captain; the D’mi doesn’t know what reality looks like; and they’re following a culture that believes in a bad dream….  they are hyping a monster that doesn’t exist.  

…will watching ST: Reckoning be akin to watching a train wreck in slow motion?

Palin Eyes Role in New Star Trek Series

Fresh from her announcement that she’s accepting a position on Fox comes bigger leaked news.  Former governor Sarah Palin is in negotiations for a lead role on a new Star Trek series, tentatively titled Star Trek: Reckoning, going into production this fall, ready to be aired on both Paramount and Fox in the Fall of 2011.  

If she accepts, Palin would play Captain Nalia Fergus of the USS Steadfast, one of the ships convinced of an upcoming battle which the Federation won’t take seriously.  Unlike past series, this series concentrates on multiple ships and the Federation–so some political intrigue.  Palin, of course, has to be a “rogue” captain! [I love it!]  

The series takes place after Voyager, with an expansive Federation, a bit more difficult to govern, a bit too relaxed.  The title, Reckoning, refers to an Armageddon-like disaster predicted by the D’mi, a culture that sees dreams as predictions of the future.  They’ve had a collective, planet-wide dream that involves the whole Federation, but very few are listening.  The show is about their attempts to convince the Federation to do something about an impending attack that could destroy multiple sectors.  In the premiere and first season, they are able to convince three ships, who will work tirelessly through the series to undermine the current administration, all while trying to create alliances with other ships through deception, manipulation and controlling the media.

The President of the Federation, a very powerfully-minded, but peaceful, Betazed, is unphased by a dreaming culture predicting doom.  Fergus, believing D’mi predictions, forms an underground alliance with two other ships (writers are arguing over names like the USS Sun Tzu, USS Pearl Harbor, and the USS Buchanan) to protect Section 001, Earth.  This show will be about a bit of infighting in the Federation.  

“They’ve done it before,” says one of the writers.  “The TNG episode, Conspiracy, the Maquis, and the Dominion, and even the threats of Species 8472–but these were mostly alien attacks, people posing as humans.  The Maquis sequence really opened up the door to talking about multiple sides within the Federation–or even political parties,” say writers who want to remain anonymous till Paramount’s April announcement. 

Still they’re excited about the series.  And about these rogue captains.  “They really distrust the President.  He’s too peaceful.  He can read their minds–which they hate.  He’s a negotiator, a diplomat, at a time when they feel like war is coming. The constant question on the table will be–are the D’mi’s dreams really accurate, do they have a political agenda, and at what moment do you take matters into your own hands?”  

One of them quipped, “It’s kind of like writing a series in the Mirror Universe, except this one is bad.”

The coolest thing is that Fergus’ first officer is Commander Nuuk, a walking, talking polar bear from some ice planet.  Earth apparently dropped off its Arctic species on this planet (yeah, climate change wiped them out on Earth) and they mixed with the indigenous life there–very similar–so you get a polar bear.  Fergus used to hunt bears.  Nuuk doesn’t know that, so this is going to be a source of tension, as she doesn’t want to admit it, but thinks of him as a trophy first officer.  She’s gonna have a D’mi onboard too–who has these waking dreams–who’s living in both reality and fantasy all the time, but can’t tell the difference.  

These are three ships full of conservatives.  I do think that a ship of conservatives gives the writers what they’ve always waited for–the ability to write in closeted gay characters.  There won’t be much open romantic intrigue because everyone’s uptight, not wanting to be revealed.  

Palin has expressed interest, according to one former aide in Alaska.  “She likes the character.  It’s so much like her–bold, aggressive hunting woman, now commanding a starship of conservatives, who move with her every command.  They fight for Earth, and they seek to protect the planet from its own bad judgment.”  

Palin is reportedly brushing up on Federation policies, which like Kirk, she will ignore and bend at will, and she’s learning Klingon–just in case.  She does have some concerns.  She’s asked to be written in as a mother, with small children on board the ship.  She wants to be assured of a four year gig (no death in season two).  She also wants to have her own ghost writer write in folksy things she would normally say, but now in a command-sort of way.”  

Paramount and Fox want to give her as much latitude as possible.  “We’ve never been able to pick up this demographic.  Usually we just get intelligent, science-oriented, techno geeks with a liberal, compassionate viewpoint.  We have the potential to scoop Red State America–the O’Reilly viewers,” says one assistant producer.  “We wouldn’t just have a fan base–we’d have an electorate!” 

McCain, a trekkie since William Shatner was a child, has said he’d always wondered how the Earth in Star Trek ever resolved pluralistic ideas.  “Never made sense to me why everyone agreed on Earth.  What happened to pluralism?”  And he has a point.  How did this series eliminate differences of opinions?  Where did the all Israeli ship go?  Or the Chinese ships?  Where were the rivals to get spaceships into space?   Did they sabotage each other?  Surely there was more fighting before we conquered space.  This series, McCain indicates, will “bring back the lipstick in realistic.”  No one knows exactly what he means.  

It does bring up interesting possibilities for the writers.  Could they keep the Star Trek fan base intact–those rooting for the Federation?  But those fans just might like a quirky, folksy rogue captain–plucky enough to cause a conservative revolution.  

Palin as Captain of her own ship?  What do you think?  She does wear red well.

 

 Shatner giving Palin the baton, the formal written permission to be as “rogue as she wants to be.”

____________________________

(this is, of course, a parody.  A wink to Sarah Palin.)

 

For more on the new Star Trek Series, don’t miss these entries:  Gingrich as D’mi, and Palin citing Star Trek to promote Gun Rights  and Red State America Wants Their Star Trek

The Media and the Flashlight in the Dark Room theory

 

What do you want us to see now?
What do you want us to see now?

Imagine, if you will, a large room, completely dark.  The room is crowded with people, most of whom you can’t see.  Only those next to you can you see dimly.  You don’t know what others are doing, thinking, or what they look like.  

However, a flashlight comes on and you can see a person, and also hear what he is saying.  

Let’s say he’s ranting about something.  There is a murmur in the darkened crowd, and suddenly six other flashlights pop on.  The people highlighted now chat about that rant.   No one in your area.  But you can see all the others and hear them talking about it.  

Then a strong murmur sweeps the crowd and seventeen new flashlights pop on, the people responding to the first flashlit rant.  Sometimes, you notice, they try and correct the rant, sometimes the person rants about the rant, and occasionally a spotlighted man or woman will talk about how this rant is felt through the entire room.  

But you don’t know what everyone else is thinking about the rant.  And even more importantly, you don’t know if they would have been thinking about the rant had the first person not been flashlit.  Why was that person flashlit in the first place?  Hmmm.  Maybe those with flashlights enjoy the reaction of the crowd, or they may be paid by someone to flashlight on a regular basis, and sometimes those with flashlights are concerned about other people with flashlights getting more attention.  

This is Media.  

I work for the media, and I know that my flashlight is used to highlight something I want people to know or talk about.  To keep my job, I have to have things to light up.  To move up the career ladder, I must highlight things that will get people talking–and even to flashlight more people talking about what I talked about–to create the bigger murmur.  I can either join the chorus of voices, lead the chorus of voices, or attempt to highlight something else–and wrest the focus, the murmur of the crowd, the other flashlights, on a topic I want to highlight.

Recent articles on Sarah Palin forget one thing–they turned the flashlight on her.  Her Facebook page is one of a billion Facebook pages; her opinion is one of a billion opinions.  She has no more sway if we don’t flashlight her.  We would never have known about her Facebook page, except that someone with a flashlight wanted to get the crowd’s attention.  Media control people’s knowledge and awareness.  In that darkened room, no one really is aware of my opinion without the media.  My blog comment here will reach exactly 120 people over the course of my life–only because these are my friends and they don’t need a flashlight to see me.  I’d be lucky if this post made it outside my close circle of friends.  My opinion here couldn’t make the murmur happen–and flashlighting someone without the expectation that this will cause a murmur is a waste of batteries, it seems.  Fluff stories.  Feature articles to pass the time.  

I hope as new technology transforms all of us into Media—with our own flashlights–that we choose carefully what to highlight–that we don’t spread the rants of bigotry, lies, distortions, and divisive arguments around the internet or TV.  Let’s choose truth to highlight–even ugly truth, but we make sure it is truth first.  

As flashlighters in a darkened room, we are responsible for vetting what we highlight—we are asking the whole room to turn and look at us.  We are asking the whole room to think about what we are flashlighting them to see.  What we flashlight may not be indicative of the thoughts of the whole room, but it can influence people so much that other people will think they are the thoughts of everyone, might even change their minds, or it might cause them to assume that the whole world is thinking this or that.  Gradually, that assumption will win over naysayers.  

You can use this to the world’s detriment, or use it to sway the world for its good.  Palin may cry foul over the media’s flashlighting, but she loves the light.  And she knows how to manipulate it.  You can END this story by turning the flashlights off of her.  Ignoring someone is the fastest way to shut them up, to make them irrelevant.  You can kill “news” by putting it in a vacuum.  You can choose to flashlight INTELLIGENT opposition, not lies.  It doesn’t help the Republicans or the naysayers to the Healthcare plan to continue spotlighting Palin’s rants.  Turn off her light; let smarter voices be heard.

The media, ultimately, is responsible for the life of a bad, or good, story.  

Please, for the sake of our time and sanity, stop highlighting things that tear down truth, and spotlight the truth instead.  You can still get the murmur, get the crowd talking.  We have to train the crowd to murmur against real injustice, murmur about the making the world better–something that makes a difference, not that makes a buck out of a murmur.

In the dark, the flashlights are the only way anyone can see.  Use them well.

Sarah Palin’s Death Panels

palin_G2165

[Pardon me for veering away from science fiction for a moment,but the following has a bit of writing and fiction involved in it.  I don’t usually get political, but I thought it was interesting.]

Let’s give credit where credit is due.  Sarah Palin, by herself, created the “Death Panels” as a work of fiction.  Constantly associating them with Obama is bad authorship.  Obama would be plagiarizing if he stole the idea from Palin, who is the creator.  

Anyone who can take what was meant to be a clause that provided End of Life Counseling and turn it into some sort of tribunal is a fiction writer with nefarious purposes (unlike those of us who have no nefarious purposes).  

End of Life counseling would be nice.  Not many of us look ahead towards our deaths.  I remember how calm my parents were when they came to us and showed us the shiny bullet-like urns they had bought for their cremation.  Or how they asked us to draw up a list of things we wanted from them in their will.  Or as they prepare to retire and don’t have a house to call their own (as a minister, my father was housed in a parsonage provided by each church).  As they approach death, they are thinking through all these things.  Did they have help?  Yes, they did.  A pastor-friend who talked to them about wills and cremation.  But it’s good to talk about the end of life and what you want that to look like.

Who wants their last days controlled by a hospital, or by people who don’t have your best interests in mind, or who, by not having a will or any written statement, just don’t know what you want in your last days?  

The clause in the Healthcare makes it VOLUNTARY, but also gives the doctors compensation for this counseling.  It’s only fair and it’s better to discuss what YOU want at the end of your life, rather than what someone else forces you to have.  Hospitals can keep us alive, nearly indefinitely…now we get to choose HOW we are treated at the end of our lives.

I urge the media to stop referring to these as Obama’s Death Panels, and start referring them to their proper author, Sarah Palin.  If she wants to talk about them, let her wear the albatross that they are.  If she wants to deny folks the right to talk about their own treatment, then let her be treated with the kind of hatred she is stirring up towards the President.  

It’s her Fiction.  Let’s give her the credit.

[update: NYT article says we’ve been here before.  Which means Palin plagiarized.  Wow.]