24hr Playwriting Contest: deadline for registration April 9th

color-swallow-1--catherine cheekGang of Writers!

You say you want to write a play!  Or a spoken word piece!  Come to the 24hr Playwriting Contest that happens April 18th-19th from 11am on Saturday to 11am on Sunday at the Westmark.  For 50 bucks you get a room for the night, free breakfast, free coffee and snacks, free yoga, and free dramaturges who sit around waiting to tow your plots out of the ditch, free your scenes, and otherwise encourage you.  You can’t find a sweeter deal for writers!

Deadline for sign-up is April 9th at 5pm!  Call Nakai at 667-2646 (#2) and someone will take your info off the phone call, or come by Nakai’s office in the Whitepass Station on 1st street and get a registration form.

Come and enjoy the frenzy of community writing in  a nice shwanky hotel.  Turn your play in on Sunday 11am with the rest of the writing crew!  And sign up for our later Cabaret (in May) to see a scene performed from your play.  Prizes will be awarded by our judges!  There are TONS of good prizes.

Come Play with Us!!

Jerome Stueart

Producer, 24hr Playwriting Contest!

—picture by Catherine Cheek

How to do a House Party Right

bghome2I attended a house party Saturday night–sort of like the one pictured here. I’ve heard of things like this.  Anne-Louise Genest explained a bit of the history of the kind of music she was playing with Sammy Lind and Nadine Landry that evening–how it might happen in a kitchen. The intimate setting was right. Miche and Hector had opened their home–moved back the furniture, rented folding chairs, made snacks. There was a charge of $15 at the door to pay back the hosts and the musicians for what turned out to be a beautiful evening.

It was planned well–limited to 25-30 people; people brought their own drinks; and the music was a mix of bluegrass/cajun with fiddle tunes throughout. There were two 45 minute sets, with a half hour break in between for mingling and snacks. And a lovely wandering dog in the midst giving out love to whomever reached out for her.

I remember back in 2002, a night in someone’s home after a party was drifting into the evening.  Folks would bring out guitars. It was a lucky moment, but only the six of us experienced it. Kind of a convergence of good fortune, talent, a long evening to linger around guitars.

But you can create a moment and plan it well too. The only difference between that moment in 2002 and this one in 2009 was the event that was created. Saturday was a performance in an intimate setting–aimed to be the focus of the evening. They asked friends (and a sister) who were performers to perform for us, rather than all of us hoping guitars might pop out after a dinner.  The performers were spotlighted.

My grandparents used to host Bob Wills and the Texas Playboys in their home. I don’t know how my grandparents knew them—I vaguely remember that Alpha and Jeff Stueart were friends of Bob Wills. But they played music in their home in between gigs around Texas and Oklahoma in the 30s and 40s, a time of Western Swing. I don’t remember that my grandparents ever played music themselves. My grandfather dug ditches and my grandmother was a cook, but they loved music and were good hosts. They opened their home to other people who would enjoy that music as well. They were dirt poor. But they knew the value of music.

We can’t always have a convergence of singer/songwriters at our dinner parties. But we can host a House Party and bring in performers that are coming through town. I bet we can do that with small theatre too. It had great planning and Miche and Hector created an evening I won’t forget.  I’d rather go to concerts like this, I think, than sit in a large auditorium.  Here I was a few feet away, and food and drink were handy.  Like an Irish Pub, in some ways.  But in your home.

House Parties eliminate having to make the modern choice between a night at home with the family or going out to a show. It takes us back to a place where we relied on each other. They brought the show to their home, and brought us to their home too. As Laurel Parry (now known as Larry) said to open the night. “Either we’re very cutting edge or we’re reviving an old practice–or maybe a bit a both.” Blogs have talked about this new phenomenon before and websites telling you how to host a gig like Concerts in Your Home.

But I think the one at Hector and Miche’s went really well. Maybe they were cutting edge, maybe just wanting to find an intimate way to have music in their home. Maybe we only remembered something we forgot we needed. I’m just glad that, clapping and stomping our way into the night, we all remembered it together, .

Yukon Writers’ Conference: Deadline March 15th

Hey Everyone, just wanted to note the upcoming deadline for the Yukon Writers’ Conference happening April 3,4,5 here in Whitehorse.  If you are thinking of NOT going, let me give you some reasons to come.

We don’t often get to hear and work with writing professionals here in the North. Normally, you would have to go south to get this convergence of writing instruction.  The conference brings up six people you would never get to talk to otherwise.  I would never have ten minutes alone with Shawna McCarthy in Toronto or Vancouver.  She would be surrounded by other writers more important to Canada, and her time would be scheduled to meet the needs of hundreds of people.  Here, we can chat.  I can even buy her a Cranberry Wheat Ale.

This is not to discount in any way the professional writers we have here in the north–including Lily Gontard, editor of Yukon: North of Ordinary, who will be a speaker and participant in the conference.  I’m only highlighting the fact that she and other editors will be together pooling their knowledge in this conference–a rare occurence.  You can still, of course, get great writing instruction from any of the professional writers who live here—but you have us every year!  hehe.  And we’re gonna be there learning at the conference too!  We want to take advantage of this conference made to help writers in every stage.

Sure, you say, this conference is for people who are going to make a living writing.  I just want to write for myself. Actually, this conference, with its seminars, is aimed at a broad audience.  You will pick up many writing tips from these editors who have seen writing in every stage imaginable.  You will pick up tips to help you where you are.  While they do know the market and know how to get people ready for publishing, they are here for all writers to help you make your writing into what you want it to be.

If you are at all interested in possibly publishing, this is YOUR conference. While the conference accommodates a wide audience, these editors and publishers have expertise they want to share with writers in the North who seek to move their writing to a public level, who want to share their writing and Northern sensibilities with folks down South.  Highlighting a collective experience of over 70 years in the publishing industry, these seven voices (six from the South, one from the North) have a wide range of insight and a diversity of opinion on what makes a work publishable and how to make a story or article most effective.

We have 40 people–at least– in the Yukon working on novels.  You have completed a first draft.  Revising can be difficult–and editors know how to revise. I love hearing writers talk; they know how to create–but usually have experience with only their texts (discounting those who teach–who have seen a lot of other writers’ stuff too).  But editors and publishers can tell you what to do after you’ve created.  Their experience with thousands of manuscripts lead them to a wider knowledge of how to get different stories moving, how to motivate different writers.

It’s 90 bucks, which covers a weekend full of learning.  Hearing any one of the six editors from down South could cost you much, much more–just in travel expenses.  Contact Marcelle Dubé at mdube@northwestel.net or come hear her and Mitch Miyagawa read Thursday night a Whitehorse Public Library at 7:30 and ask her more about the conference there.

I hope to see you there.  The Deadline is March 15th!  Go now.  Sign up.

2009 Yukon Writers Conference, April 3-5

scribo book cover by Kater CheekNorthern Writes is pleased to announce the 2009 Yukon Writers Conference, taking place at the Westmark Whitehorse, on April 3 through 5, 2009. The 2009 Yukon Writers Conference is an opportunity for Yukon writers to meet with and learn from six North American editors and one publisher representing a variety of genres.

The conference will include workshops, a panel discussion, individual pitch appointments and an open critique session.

The conference fee of $90 also covers an opening reception, lunches on Saturday and Sunday, and coffee breaks.

The following publisher and editors will present at the event:

Claire Eddy, Senior Editor, Tor/Forge Books, New York

Paula Eykelhof, Editor, Mira Books, Toronto

Lily Gontard, Editor, Yukon, North of Ordinary, Whitehorse

Shawna McCarthy, Editor, Realms of Fantasy and Agent, New Jersey

Lynne Missen, Executive Editor, Children’s Books, HarperCollins, Toronto

Kathleen Scheibling, Editor, Harlequin Books, Toronto

Howard White, Publisher, Harbour Publishing, Madeira Park, BC

________________________________________________________

Registration deadlines as follows: February 28 if submitting a writing sample/proposal March 15 if not submitting Registration forms and information sheets will be available at the Whitehorse Public Library starting on February 9, or by contacting Marcelle Dubé at (867) 633-4565, mdube@northwestel.net. Please feel free to share this information.

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This conference is not to be missed if you live anywhere near the Yukon. You can’t see these people up close and personal in other venues in the States or in Canada. But here, in Whitehorse, you have a chance to talk with them personally, submit writing, receive critique, and get to know them.

I’ve said before that it was in the Yukon that I met and really got to know some amazing authors/editors from Outside. These meetings were all through conferences like this one that Barb Dunlop and Marcelle Dubé engineered.

If you believe in that Latin phrase on the book above–“I write”–then you’ll want to prepare for this conference. Have ready a manuscript by the end of February to submit to these editors. Come and join us for a chance to develop your writing and all Yukon writers.

_________________

Photo above is from my good friend, Kater Cheek, whose amazing art can be found here at www.catherinecheek.com

The Enchanted North: the Art of Nathalie Parenteau

Sea Otter and Volcano, Nathalie Parenteau

When I see Nathalie Parenteau’s art, it makes me feel as if I’m seeing what I would be seeing if I had enchanted glasses. I like her animals–how they run wild through the colors, and even when they stand still, their reflections run rivulets of Fantasy to the bottom of the image. I love the tenderness of Klimt between lovers in this wild kingdom; and the women who pick cranberries–I like how their hair rises; and how the moon witnesses moose, caribou, northern life; and how the red cloaks reveal so much, ravens living inside; and how the legs dribble like the edges of a dream; and the mandelas, especially the feathers of the snowy owl, how you can feel them.

If I bought as much of her art as I want, my house would unfold like a storybook.

Caribou Shimmers, by Nathalie Parenteau

I’d like to get me a pair of those glasses–look outside my windows and see what Nathalie sees. I’ve linked above to a page that sells her work. Enjoy.

Yukon Fantasy/Science Fiction Writer Profiles: Marcelle Dubé

Marcelle DubéThe Yukon is home to more than just one science fiction/fantasy writer. In fact, there’s quite a few, so I’d like to profile them. These will be based on my experiences with them, not just interviews, though I’ve linked and excerpted sections of an interview Marcelle did with Joanna Lilley in What’s Up Yukon.

I first met Marcelle during the first Yukon Writer’s Conference in 2002. She was instrumental in bringing up Canadian sci-fi guru, Robert Sawyer, and for co-organizing a writer’s conference here that would do any university proud. We had six major writers, across genres, editors and agents, each giving multiple seminars. It was a three day event, complete with contests, one-on-one sessions with editors and agents, and food. I remember how shocked I was that this major operation was run by two people. Marcelle was stuffing bags full of free On Spec magazines, pens and pads of paper, in the Westmark when I ran into her for the first time. She didn’t seem like she was running amok–so I had no idea that she didn’t have a staff of twenty with her somewhere in the hotel.

We became friends, writing colleagues. She was part of the growing science fiction/fantasy community here in Whitehorse. And she wanted to provide writers here with the same advantages that writers down south would have. Not to mention, i think, that she wanted to bring up some people that she wanted to meet too!

Marcelle describes her work in this interview with Joanna Lilley:

I always like a plucky heroine who finds herself in a situation and needs her brains and her courage to get herself out.

Her stories often have well-conceived, elaborate cultures. I remember one of my favorite stories of hers, “Jhyoti“, that concerned how women prepared the dead for burial. Vividly detailed, well written, the story ended up in Challenging Destiny. Richard Horton, of Locus, recalls her story and two others (out of 14) in his end of the year review of Challenging Destiny:

From #25 I really enjoyed a rather traditional story — but very well done — by Marcelle Dubé: “Jhyoti”. The heroine is a low-caste woman trying to make it in the Academy. Doing some research, she finds evidence of terrible abuse and murder of a low-caste woman by a higher-caste person — can she risk her career, and disappoint her patrons, by investigating this? There are no surprises here, but it was quite satisfying.

Marcelle also got her work published in Julie Czerneda’s anthology of Polar Science called Polaris. She is just starting to sell, like me, and she has an excellent critical eye for story. I value her critique on my work. She attended World Fantasy with me and Claire Eamer (another writer you will get to meet on this blog soon) and made several more contacts. I suspect we’ll be hearing a lot more from Marcelle in short stories to come. She has attended a Master Class workshop in the short story from Dean Wesley Smith on the Oregon Coast, and will be attending another this year.

But Marcelle is not satisfied with just growing her own career. She wants to help all of us. This generosity of spirit has made her invaluable to the writing community. Since 2002, she has helped host two other conferences, that I can think of, and one coming up in 2009. She and Barb Dunlop invite writers, editors and agents that span every genre–romance, literary, mystery, science fiction–so that everyone gets helped up here. Because of these conferences I have met more science fiction writers than I ever did in Texas (cause none of them came to Lubbock, Texas ) and all the writer’s conferences were done by AWP or MLA or SWPCA and had hundreds or thousands of attendees, which meant that authors, agents and editors were swarmed by people, who had much higher clearance than some refugee from Texas Tech. (I met Ray Bradbury in Lubbock–which is another story.)

Because of Marcelle and Barb–and the moneys granted to them by the Advanced Artist Awards and other Yukon agencies for the growth of the Arts–I was able to meet, dine with, and learn from Robert Sawyer, Matt Hughes, Candas Jane Dorsey, Terrence Green, and editor, Diane Walton of On Spec–as well as authors, agents and editors in othe genres. Yes, in the Yukon. Taking classes from Terrence Green moved my story “Lemmings in the Third Year” to publishable quality and his suggestions on places to send it helped it get published quickly in Tesseracts Nine.

See, we are never alone as writers. We are always beholden on the community around us to lift us up, connect us, encourage us, critique us, kick our asses. I’m glad Marcelle is up here; she’s a great colleague and friend and I hope to see more of her unique vision in all the fantasy and science fiction magazines. I also hope, for the Yukon’s sake, she and Barb continue to organize these conferences which bring the world of Publishing to the Yukon.

See you all in April for the 2009 Yukon Writer’s Conference!

36F, or Summer in Whitehorse

Beach, by Scarleth WhiteAh, is this great or what?  January 14, 2009: Even one day of 5C in the midst of -30C  is a beautiful thing.  Yes, the roads are slick from the melting snow–but look at those words again, “melting snow”—Can May be far off?  Can grass and green and summer’s sheen be right around the corner?  I just wanted to walk around town today.  I may still go walking somewhere.   I don’t hope the snow disappears–we need the cold for the Yukon Quest, and what would we call Frostbite if it stayed at 5C?  –Sunburn?  Rendezvous would have to give up ice sculptures and put an inflatable pool out by Elijah Smith.  Nope, we need the winter to be what it has been in the past–not -30C for three more months!— but definitely -10 to -20 for a few months longer.  However, it makes you love these moments.  These balmy 5 above moments. Just look at all the happy hat-free people outside, how they bring their dogs for walks downtown, how people are stopping and talking on Main Street, outside; those smiles are growing with every degree.  Tiny Tim is throwing his crutch in the air and shouting, “God bless us, every one!!”  Okay, maybe Tim isn’t–but this is the Christmas Cheer nonetheless, frozen in place on the streets during the holidays, thawing out and drifting around in the air.  The warm, summer air.

And, Mom in Texas, I never thought I’d say how warm 36F feels, but ohhhh, it’s toasty out there.  And, no, I’m not wearin’ a hat.

______________

Photo is by Scarleth White from her trip to Florida, but this is how we feel on a day like today!

Diversify, or How to Get the Most from Your Writing Degree

APTOPIX Turkey DolphinariumI confessed to a fellow writer that I had nine jobs in the Yukon, and that it was still sometimes make or break at the beginning of each month.  I was living by cobbling together jobs, which isn’t necessarily bad. In my case, I might not get to do everything I want at first–but learning to diversify has helped me survive.

I’d always thought I would rather live by the phrase: I’m a ________ who also writes. Fill in the blank with astronaut, beekeeper, mechanic, sumo wrestler, whatever you like. This is where my money would come from–then I would carve out writing time. Or, another option was: I married a _______ and I write. Fill in the blank with astronaut, beekeeper, fire swallower, accountant, President, Estate owner, whatever you want. [On second thought, hold off on the fire swallower] Either way, money would come into my house steadily. I like paying my bills, really. 😀 But these options come with their own heartaches, as I’ve been reminded of by a good friend who struggles with the full time job and not having time for art. I would say it’s a choice–this art or security–but I want to believe we don’t have to make that choice.

Some say “the lean and hungry look” is a good one for writers–makes you write more, and more brilliantly. But lack of security makes me frightened, cranky, and depressed, and angry at myself for not planning better, or getting marketable skills. My brain panics and I make endless lists on how I can make money—that’s not what I would call “creative writing”–it is Fear.  You don’t get paid from writing for months, so it’s never fast money. So, the answer I came up with –if I couldn’t get a big job that paid well–was to diversify.

Here’s my version of diversification to make ends meet: I teach one college class on novel writing, teach cartooning in the schools through Yukon Arts Edventures, teach an after school program for teens through the City of Whitehorse on writing science fiction and fantasy, write articles for Yukon: North of Ordinary, sometimes for What’s Up Yukon, work as an on-call interpreter for the Beringia Centre, am doing an Oral History project for a friend, perform vaudeville in the summer, write radio series for CBC. In the works: I have auditioned for some short movies as an actor, may be working on an ad campaign, am auditioning to sing in a Big Band and am trying to teach online, and teach through teleconference, in the summer.

Even with all these small jobs, I’m still doing what I love:

Of my  jobs, most of them can be connected to narrative in some way. I write articles on topics that both interest me, and might be used for later stories; I teach about writing or literature; the radio series lets me both write, perform and produce; cartooning in the schools has expanded my understanding of narrative. The performance jobs–including Beringia as an interpreter–are still about words, communication, entertainment, teaching. So, in reality, I haven’t strayed too far from my writing, or my degrees.

And–working outside my field has improved my writing by showing me different styles of writing: a more informative style (articles and Beringia) and comedic (vaudeville and comic strip), for example–and by giving me new subjects to write about–like mammoths and scimitar cats and Yukon history and fifth graders. Also, it’s given me several editors–newspaper, magazine, online editors.

My friend, Arlin McFarlane, is a professional at diversifying. Actor, producer, director, B & B owner, acting teacher, English teacher, creator of Burning Away the Winter Blues and other creative events in Whitehorse, Arlin calls it repackaging yourself for every new job–the money I make she calls “ribbons of income.” It’s what we do to survive as Creators. I’d say that diversifying is more than a survival technique, it is a way of expanding your understanding of your skills. What CAN you do? A host of things. They may not pay much at first, but they keep you creating.

Write anyway:

I had to give writing its own place in my job line up too.  If I didn’t, then job number 10 or 11 could sweep away the writing.  Until you find a sustaining job –that also gives you time and support to create–diversify to keep your name out there, your skills fresh, and your money coming in.   If a Walrus can play a saxophone to make a living, you can discover new ways to make your bucket of fish too.

PS. While I was writing this, the phone company called to remind me my bill is overdue. Sigh. Ars longa, bills brevis.

Why Yukoners Secretly Love it When It Hits -40

Happy Nonetheless-- by Amanda GrahamLiving in the Yukon is a unique experience. We are a place of extremes. The long winter night, no stars in the summer, the snow layers caked on the downtown sidewalks, the wilderness at your back door. We are proud of our bison and moose encounters, spotting red foxes and coyotes drifting down lamplit streets, and, yes, we are thrilled to see temperatures drop below -35C.

Oh, you won’t hear it in our driveways. We ain’t “whistlin’ a happy tune” as we’re scraping our windshields; and the only joy about turning on our cars a half hour before we need to go anywhere is the glee from punching Command Start from your kitchen window (if you can afford it). And the wrong gloves can cost you digits if you ain’t careful. (Thank You, Katrina Brogden, for your timely save this afternoon, and for the new mitts!) Our cars act like we woke them up in the middle of a long nap–they are cranky and moan down the street and the ride is bumpy and aching. And there’s nothing like not being able to reach your keys in your pocket, forcing you to remove your glove and do the mental countdown of how long exposed flesh can last…and if you DROP the keys…well, metal keys at 40 below burn your fingers. And if there’s a wind—well, they don’t call it bitter for nothing. Oddly, it doesn’t seem to turn Yukoners bitter.

That’s because we enjoy living here for the stories we can tell. If we don’t experience -40 once every winter, Yukoners will want their money back. Oh, we already want our money back for the Celestial reneging of the past three summers, and that’s part of the same issue. We are both owed our amazing Summers and our -40. If we don’t get them, the Yukon ceases to be that place of extremes. Without the summers, the place is just damn cold and wet. Without -40, we might as well be in Winnipeg, or anywhere in Alberta, or Ontario. We get special honors for enduring the cold–and we damn well know it. We don’t want the dudes in Alberta to be able to say that THEY have endured the worst, right? We want Vancouver-ites to live in awe of our ability to withstand nature’s onslaught with a hearty laugh. We need the scientific weather proof to back up our mythos.

So, perhaps our worst fear involving global warming is that we might be turned into Wisconsin. Cold, but not that cold.

So, today, Yukoners are happy to know that for one more Winter, we had our litmus test of Strength, the Charlie Horse on the leg of our Winter, and I’m sure we phoned every southern relative and friend we had to let them know that we earned our frostbitten stripes, every last one of them. Let there never be a year that our children will only be able to say that they remember when it got down all the way to -20. We won’t be able to look them in the eye if we can’t bring them the very depths of Winter. They are Yukoners, truly, at -40; at -20, they are just Canadians who live way too far away from their relatives.

This is why we smile inside every time the mercury falls down. Really, -40 is our Blue Badge of Courage.

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Novelists! Classes start Monday at Yukon College

rightimg1Happy New Year to Everyone! I hope this coming new year brings you what you want.

It’s a long and interesting journey, no doubt.

Perhaps, you are looking to work on your novel? Perhaps, you have been working on one for years and you want to get some guided help through a course? Maybe, you just plunked one out in November during NaNoWriMo (National Novel Writing Month) and you want to work on revising it, or just getting feedback on it.

Yukon College is offering two courses: Monday nights for Realism/Mainstream writing and Tuesday nights for Speculative Fiction (Fantasy, Science Fiction, Horror, Fantastical Children’s Lit). The school, though, is closed till Jan 2, or Friday. So, if you’re gonna sign up and come to the first class on Monday, you’ll have to sign up on Friday or Next week. Regardless of when you sign up, come to the first classes. We have to get a viable head count to know if the classes will make. We need 8 people each class, at least, to make this happen. We’ll be working on synopsis writing and editing three chapters of your novel.

Click on Writing Classes to learn more.

Also, don’t forget that Yukon writers, in classes or not, should be getting ready for the Editor’s Weekend that is happening at the beginning of April. Six editors are coming up to talk with Yukoners, give workshops, about the next steps in publishing their manuscripts. This coincides with the last weekend of our coursework. So it makes a fitting transition after our class is done to move towards shopping a manuscript around.

So, if working on your novel is part of your planned journey for 2009, I hope to see you in class in the new year!